Twenty-five years ago the renowned art critic Robert Hughes made The Shock of the New, a landmark television series that examined the key cultural movement of the 20th Century. Now he's back to look at more recent work and to question whether modern art can still be shocking in its originality and understanding. In an age of media saturation it's perhaps even harder to tell what is good art and what is bad; but Hughes cuts through the marketing and the hype to reveal the art that is vital and will last; the art which defines the times in which we live. In a film which features interviews with David Hockney, Paula Rego, Jeff Koons and Sean Scully, Robert Hughes makes the case that painting, drawing, and the search for beauty matter more than ever before.

A chronicle of the personal life and public career of the celebrated artist and filmmaker Julian Schnabel.

In this second installment of his exploration of creativity, Hermann Vaske looks for factors that inhibit it. He asks artists, activists, and thinkers about things that kill their creativity.

Jeff Koons is widely regarded as one of the most influential, popular and disputed artists of the last 30 years. Koons transforms mass-produced, everyday objects into the highest art forms.

Art in an Age of Mass Culture pulls back the curtain and takes a look at the cultural climate surrounding MoMA's now famed exhibition, "High and Low: High Art and Popular Culture". Opening in the fall of 1990, the show placed a spotlight on the rapid merging of consumerism and the artistic avant-garde. Curated by Kirk Varnedoe and Adam Gopnik and featuring work from artists such as Jeff Koons and Roy Lichtenstein, "High and Low" ignites conversations of mass culture and our society's ever-changing relationship with the arts.

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

A documentary on the life and work of artist Jeff Koons, told through the perspective of Koons himself, curators, gallerists, and fellow artists (Chuck Close, Julian Schnabel, etc.).

Director Francesco Carrozzini creates an intimate portrait of his mother, Franca Sozzani, the legendary editor-in-chief of Italian Vogue. From the ridiculous to the sublime, her astonishing but often controversial magazine covers have not only broken the rules but also set the high bar for fashion, art and commerce over the past 25 years. From the legendary “Black Issue" and the “Plastic Surgery issue" Sozzani remains deeply committed to exploring subject matter off limits to most in order to shake up the status quo and occasionally redefine the concept of beauty.

Profiles the formation and development of The Hairy Who, aka the Chicago Imagists, a ragtag group of young artists nurtured by the School of the Art Institute of Chicago, whose irreverent lowbrow style gained media attention from the late sixties through the mid-eighties. The Hairy Who and subsequent group exhibitors included artists Karl Wirsum, Gladys Nilsson, Jim Nutt, Suellen Rocca, Ed Paschke, Roger Brown, and their mentor Ray Yoshida.