The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.

A village in Podhale, the time of Christmas. The local inhabitants confront the German occupation.

Animated ballet etude presenting the conflict between dreams and reality.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

Ewa decides to end her romance with Alek. From the mountain guesthouse they go by car to Warsaw. . . Kim, after being released early from prison, returns to his wife, Jola, who lives in a lonely house. Here he finds a man who claims he has been hired for hard work. Kim wants to find out if Mietek is not Jola's lover.

A lonely man rolls a big blue ball. People encountered on the way do not help him. Night does not bring rest either, he has to chase away the birds. The man finally reaches the end of the road and pushes the ball into the sea. An animated parable created by Miroslaw Kijowicz, a director, scriptwriter of animated films, set designer and educator. An ordinary man was usually the protagonist of Kijowicz's philosophical short films. The situations presented in the films were rather general, they were supposed to provide food for thought.

The action takes place somewhere among fields, meadows, and forests. The protagonists are simple but extraordinary people: Janka, a dwarf; Morka, a monster who escaped from the circus where he was put on public display; Kostucha, straight out of Malczewski's paintings, and finally Lunda, a man who plays the violin and pieces of plates.

An aging Polish thesp looks death in the eye as he prepares for the inevitable in the absorbing, well-mounted docu "The Existence." While thesp Jerzy Nowak ("Schlindler's List," "Promised Land") addresses a number of concerns about the end of his life, the film explores the question of what will happen to his body after he donates it to medical science. Subject is handled respectfully and tastefully, balancing the clinical with the personal. Pic will thrive on the fest circuit and can expect a long life via Euro pubcaster outlets. (c) Variety

In the second part of the film, the optics of the story changes. The block, which emerged from the lake at sunrise, stops wandering, stopping in the water, and its inhabitants indulge in summer relaxation. In the evening - at sunset - they will return, walking on water, to their apartments, and the building will again be immersed in the lake. And all to the rhythm of Zygmunt Konieczny's music, in the first part - more marching, in the second - elegiac.

On the road wandering minstrel finds a mare, which, upholstered and sickly, is dying. He buries mare and casts a curse in the village where the animal was tortured. In the village lives Jańcio, a philosopher, a man loving life and his young wife, Weronka. Jańcio lives in harmony with God and is not expecting that he will be put to the test by him. He is convinced he has the power to make miracles. He leaves his pregnant wife, and goes to see the world, promising to return before the due date.