Roman Cudakowski, for his friends Cudak, plays in a band at weddings and city parties. During the occupation, the musician did not do well. Entrances to the premises for Germans are an opportunity to earn money. However, they cannot imagine themselves orchestras without a violinist. Cudak takes the gifted Szymon Akerman out of the ghetto to concerts, with whom he did not agree before the war. In the new reality, they both need each other: Cudak can earn money by playing with Akerman, has a chance to survive. One day, Roman decides to permanently take the violinist and his family from the ghetto and hide them, risking his life, in his home.

A man returns home after a long time. The house is in a bad shape, ruined with graffiti on walls, but it doesn't stop him from staying in. The man has an aim that requires complex preparations. The house has however already a new inhabitants that start to influence the man's performance and to mingle with silhouettes from the character's recent past, spent at the Central Asia border. Are the war prolonged tension and the man's shattered emotionality possible to overcome, so that he may really re-locate in a peaceful surroundings of his home-village?