This romantic comedy presents a story of two women, twenty-year-old Laura, an editor at a woman’s weekly, and her widowed mother, a translator-interpreter named Jana. The two of them tirelessly seek Mr. Right. Having once lived through an intense relationship with a ‘typical’ Czech man, Jana intentionally avoids Czech men. She searches for her dream foreigner while long-sufferingly warding off the tragicomic advances of her good-natured neighbor Žemla. After several unsuccessful attempts, Laura falls in love with Oliver, a forty year old who works as an ad agency idea man. Little does she suspect that twenty years ago Oliver was Jana’s true love…

Nadia and Peter meet during a time when their respective marriages are falling apart. Peter’s marriage has cooled due to his wife Lenka’s work commitments in Africa, while Nadia’s husband Viktor has found new love. A chance car collision brings them into each other’s lives, triggering unexpected encounters.

An injury and a surprise turn in her relationship bring a young dancer's life down around her.

A story of Karel Jaroš, an emotionally arid man, whose mother suffers from Alzheimer disease. It is not love, but the sense of duty that stops him from sending his mother to a mental institution. On the other hand, this way he can finally connect with her. And not just with her but also with his teenage son and with himself.

Dancing through Slovak history of the twentieth century. Based on the Theatre du Campagnol performance "Le Bal" by Jean-Claude Penchenat, written by M. Huba and M. Porubjak. A dance locale - a place where people who are looking for partners come together. Lonely individuals become couples, people who were strangers not so long ago become partners and lovers. Outside, conditions change and regimes change, the country is overwhelmed by great history, the whirlwind of the World War, the communist coup, the hopeful spring of 1968, the fraternal occupation, the Hussite normalisation, November 1989 and the collapse of Czechoslovakia. Only those lonely dancers on the dance floor remain the same - with their human longings, their ridiculousness and their unfulfilled dreams.

Life is the only game one does not choose for oneself. The central theme of the film is not only the stories connected to the casino space, gambling and poker players, but also stories from the outside world - the game as a life feeling given to man from birth. Playing in the casino space is the essence of fun and relaxation, but also of the feeling of gambling, it has a kind of mysterious flavour to it. The world 'beyond the walls', the outside world, and therefore politics, is a world of even greater games. Politics influences people's lives, plays with them and, unlike the 'poker' world, often uses unfair means, has no set rules of the game and sometimes even fights against them.

The Queen of the Waterland gives the King Juraj access to the water of life when his daughter is seriously ill. However, if the magic fluid falls into the wrong hands, it loses its power.

In a kingdom protected by a magical legacy, young healer Hana is destined to inherit her mother Zora’s powers through a single mystical apple. Drawn to the human world, she encounters Prince Albert, who roams the land in disguise. Captivated, Hana abandons her fate and follows him to the castle. Meanwhile, the vengeful witch Moriana returns, seeking retribution for a past defeat by Zora. To fulfill her dark ambitions, Moriana schemes to manipulate her daughter Dáhlia, sparking a dangerous conflict that endangers the kingdom’s future.

This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.