Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

Law student Safaa (Zubaida Tharwat) loves her colleague Kamal (Ahmed Ramzy), and the two want to get married. However, her father Ibrahim (Hussein Riad) opposes this relationship because Kamal's mother, Horia (Zouzou Madi), runs her house as a gambling ground. He tries hard to sever the ties between them, but the father's efforts go down the drain because the two lovers are attached to each other. The father turns to his friend Dr. Refaat (Mahmoud Zulfikar) asking him to intervene, but Refaat advises the father not to stand in his daughter's way.

When Narges, the only child of wealthy parents, goes missing, a middle-class man takes her in and raises her. As she falls in love with a poor guy, her parents find her and bring her back. A wealthy guy proposes to her but she remains faithful to her old sweetheart.

Esmat decides to drive the cab that she owns, but gets harassed by her former driver, Abdullah, who was exploiting her. He gets some thugs to lure her to an abandoned place, where the vice police arrest them, and events develop.

Madbouly works at Al-Basha mansion with his wife and two sons. Al-Basha has a playboy son named Mohsen who commits a murder and asks his father to find someone to take the fall instead of him. He negotiates with Madbouly to go to prison instead of Mohsen in exchange for money . Madbouly agrees and events escalate.

In Abu Qir, two adjacent camps are set up, one for boys and one for girls. The supervisors of the two camps, Nadia and Hassan, must find a common ground when they clash over Nadia's strict attempts to keep the students separated by gender, and Hassan's wish to let them enjoy their vacation.