
Acting
Isabelle von Allmen (born 29 April 1950), better known by the stage name Zouc, is a Swiss actress. Isabelle von Allmen was born in Saint-Imier and raised in Saignelégier. By the age of 14 she was performing every night in front of a crossing for her friends. Following the suggestion of Coghuf (original name: Ernst Stocker, painter from Basel), she took lessons in classical singing and music theory in Neuchatel, Switzerland. She became part of a team of authors with whom she developed the play allégria and appeared on stage for the first time. In 1969 she moved to Paris where she took courses at the theater of Tania Balachova for a few months and staged her first solo play at “La Vieille Grille” theatre. The painter Roger Montandon invited her to pose for him, which led to an intense collaboration between the two artists, lasting for many years. Between 1970 and 1980 Zouc performed her play several hundred times, at the Vieux Colombier, the Théatre de la Ville, Le Palace, Bobino and in many other theatres in France and abroad. Meanwhile, thanks to her increasing contacts, Zouc performed in Jeux de massacre by Eugène Ionesco, staged by Jorge Lavelli, as well as in The Birds by Aristophanes with music by Antoine Duhamel at the Opéra de Lyon. She starred in many movies, working with Michel Drach, William Klein, Serguei Bordrov and Jacques Dillon. In 1983 she played against Pierre Dux in Monsieur Abel. In 1984 she staged her play Zouc à l'école des femmes in collaboration with Roger Montandon. In 1987 a new show, developed in collaboration with Tara Depré, was presented at Le Bataclan. During an operation for cancer of the sternum at the Marie Lannelongue hospital in Plessis-Robinson (near Paris) in 1997, Zouc caught a severe hospital-acquired infection (multi-resistant staphylococcus aureus). After nine further operations, her life was saved at the Croix-Saint-Simon hospital in Paris, but she remains seriously handicapped, ending her career on stage far ahead of her time. Source: Article "Zouc" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Aleksey and Katerina separated twenty years ago. He left for the West, she stayed in the East. They will meet again in Switzerland under troubling circumstances.

In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine and Jean-Michel, for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man".

Set in the French countryside in the 1600s, a lone rider deposits a newborn baby boy on the steps of a monastery, having bitten his nose off. The child is bought up by an ex-pirate and his wife and is taught to read, write, count, joust and fence, and is also given a wooden nose. However, he is ordered by a local baron to attend a tough seminary, but he soon rebels and makes an action-packed escape...

For Véronique and Pierre, it's a strange Saturday: unusual encounters and unpredictable events follow one after another...
Maman à tort, Plus grandir, Libertine, Pourvu qu'elles soient douces, Tristana, Sans contrefaçon, Ainsi soit-je, Sans logique, A quoi je sers, Allan (live 89), Plus grandir (live 89), Désenchantée, Regrets (a duo with Jean-Louis Murat), Je t'aime mélancolie, and Beyond my control.

Emerging from a lengthy dinner where his mother was exhibited without restraint for the favor of a man, Daniel returns alone, sickened. Without imagining the trap closes on him, he later agrees to have a drink with a neighbor he just help carry packages. She "vamp" and keeps her house without a very fierce resistance opposes too happy to escape his solitude. Taking advantage of the absence of his mother, Daniel finally leaves the high school and moved to the neighbor who, having close to her more often, gets him a place in the clinic where she is employed.

A retired old man sees his life turned upside down by the discovery of the corpse of a young woman.

