In mid-1960s Perama, a popular singer plans to marry a sweet woman, not because he loves her, but because he hates her boyfriend who truly loves her.

A melodrama that recounts the extremely difficult conditions under which a couple tries to live and find happiness. However, their quest for happiness turns into a harsh struggle for survival.

Giorgis is the only son of the richest tseligas of a mountain village. Although he is considered a sought-after groom, he only has eyes for Droso, who reciprocates his feelings. The obstacle to their love is Giorgis' father. He is a cruel usurer who has confiscated the girl's fields. After a fight between father and son, the former falls dead. However, everyone believes that Droso killed him. Droso runs away from the village and takes refuge in the caves and cliffs, among the lads of the robber Zarvas, who helps to uncover Bournova's murderer. The murder has been committed by Maria, a noblewoman in love with Giorgis, who is subsequently arrested by the gendarmerie. Thus, Droso is now free to marry Giorgis.

A group of men that their friendship starts from the army, meet after years in the funeral of a friend. This bad time reunites them, as for many years the family life and obligations, had absorbed a strong friendship.

Yangos Aggelis (Lambros Konstantaras), director of a factory, is the type of classical friend. He is only interested in himself while he is engaged for five years with Eleni (Beata Asimakopoulou) whom she does not say married. At the same time he is sexually attached to his czech secretary, Lilly, whom he wants to marry with an impoverished employee in order to have his hand. When she learns that Mrs. Papageorgiou (Miranda Myrat), the widow of the factory owner, intends to remarry, she does not hesitate to apply. However, his excessive selfishness and irresponsible attitude lead him to complete isolation, as everyone leaves him.

This film is a social comment of the times, exploring issues that centre around relationships and what was allowed and what was not allowed at the time (early 60s) in Greece. There are sub-plots also, mainly relating to the life of the poor city dwellers, social injustice and seeming double standards. Aliki Vougiouklaki is a poor young girl dreaming of a better life and the "handsome prince on a white stallion" who will deliver her from her miserable existence. She meets and falls in love with a young man (Nikos Kourkoulos) who also falls in love with her, but things are not as simple as they first seem. His past comes to haunt them with tragic consequences. Vassilis Diamantopoulos is excellent as the half-crazed old captain whose life strangely echoes that of young Aliki.

Infatuated with a handsome sculptor, an overindulged daddy's girl will make use of every trick in the book--including a cunning but charming impersonation--to reach her goal. But, will the pampered heiress have it her way once more?

Ilias dresses himself in a police uniform as part of a complex burglary plot. Unfortunately for him, the impostor officer is called to assist in the investigation of a real crime. The other officers involved in this case treat him as a colleague, and he is forced to play along in hopes that his cover is not blown.

Paschalis Zoumpoulos, an otherwise decent family man and director of the house Frabalas & Co. belonging to his wife Corinna, is an incorrigible skirtchaser. His assistant Aristos covers as it can, but someday found himself in the dock because Paschalis stung a woman in the street. In court, where he ordered course a poor but clean-cut girl is in dire need of money, and that the way of obliging Paschalis to hire her as a secretary. When Paschalis flirting Alki, she immediately leaves her job and Aristos, resigns.

Intent on marrying into money, two antagonists will stop at nothing to seduce a young heiress, renouncing their sweethearts just to get a greater chance at a lucrative love. But, what does the girl have to say about their risky business?