A young man, Kuba, is returning from the army. At home, an image of misery and despair remains: the father is seriously ill, and the mother has become emotionally attached to the man who exploits her and intends to take over the farm. After the death of his father, the young man guards the farm, but his girlfriend leaves him. Unable to bear the atmosphere of envy and resentment, Kuba leaves for the city.

A grief-stricken middle-aged woman finds solace after meeting a younger man.

A group of Polish boys is opposed to a German teacher who aims to Germanise the young men.

The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia

Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

In 1946, a former resistance fighter starts working as a forester in a small town in Masuria. The local people don't trust him, robberies are common and his old flame is married to another man.

Faustina is a 1995 Polish film directed by Jerzy Łukaszewicz about Blessed Sister Faustina Kowalska, a saint of the Roman Catholic Church who was canonized by Pope John Paul II in 2000. It is the first feature film of its kind in Poland, and far from the path of modern cinema.

Helén and Jenö are waiting for a child and are desperately searching for an accomodation. They eventually sign a contract with an old lady, Szeréna, who lives in a two-family house. According to the contract, they are to pay a moderate rent and they have to take care of her until her death. After the first weeks, Szeréna accuses the couple of trying to poison her and builds a chicken coop on the balcony with the aim of living off the eggs she herself gathers.

This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.