Three teenagers, brought together from bullying, indulge in petty theft, sex and drugs. They inevitably realize they can resort to violence to take revenge on everyone who has humiliated them: students, teachers and other outcasts. One of them escalates to killing, and desires to kill again. Anyone can become his next victim. The other two face the question: should they resort to violence to stop the killings?

Three teenagers, brought together from bullying, indulge in petty theft, sex and drugs. They inevitably realize they can resort to violence to take revenge on everyone who has humiliated them: students, teachers and other outcasts. One of them escalates to killing, and desires to kill again. Anyone can become his next victim. The other two face the question: should they resort to violence to stop the killings?

A couple’s relationship is narrated through their memories as Flashbacks.

A couple’s relationship is narrated through their memories as Flashbacks.

A couple’s relationship is narrated through their memories as Flashbacks.

"I don't love you either, but we can be friends... Since you've killed me... at least stay with me a few more days." A story of reincarnation.

"I don't love you either, but we can be friends... Since you've killed me... at least stay with me a few more days." A story of reincarnation.

Rosario, an elderly woman who lives with Ofelio, her disabled son, her donkey, and her goat, earns a living selling fig tree salt to the elderly, who know its ancient uses... and to the not-so-elderly, mixing it with pharmacy tranquilizers and other ingredients. The village in La Mancha where they live is ruined by the gambling addiction of its inhabitants and its rulers, who decide to sell it. Everyone resigns themselves to the forced sale, but Rosario's house and pond are in the middle of the municipality.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.