Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

Katja Sterner has to start again. Full of confidence, she follows the beckoning of her rediscovered lucky talisman to the beautiful village of Herzfeldt. Will she find happiness there? There is an old pavilion in Herzfeldt where Katja's parents once got engaged. The pavilion is said to have magical powers in matters of love, but now it is to be demolished. Katja quickly decides to offer to restore the pavilion. But she urgently needs to find a job. A few years ago, she quit her job as a restorer to care for her parents. After their death, Katja now needs a new job, but there is simply nothing available in her home town. But Katja takes a positive view of things, and so her lucky charm leads her to Herzfeldt with her few possessions.

Parcel carrier Adika, who works as a parcel driver over the holidays, rarely loses his good mood despite the stress and the many deliveries to be made. It's only when he has to fight with Tessa over the same parking spaces that he gets a bit annoyed. He finds the nurse quite interesting, but doesn't dare approach her.

Love and loss are closely linked in MY SON, an emotional drama about a teenager and his mother who go on a journey together after nearly having lost one another.

Karla, a strong, sensual and experienced woman, learns that she has terminal cancer. She only has a few months left. After a wild life as a photographer of music bands, full of touring, joints and rock 'n' roll, the woman in her mid-sixties has no desire for sentimentality. She wants to be left alone with her fate and plans a dignified exit. She refuses the help of voluntary euthanasia assistant Fred, a single-parent traffic planner who always means well. But Fred's son Phil, a shy teenager with a great sense of poetry, manages to get in touch with the terminally ill artist. He is allowed to archive their concert photos for posterity - and in the process gets to know the funky student Rona. As Fred, Phil and Karla open up to each other, a wonderful friendship develops. While father and son initially believed that they would accompany Karla when she died, the opposite suddenly happened: they both learned to live from her

The widower Danyal worries about his adult daughter Jila, even though the doctor has long been on her own feet. When the man in his mid-fifties can't reach her by phone, he rushes from Kitzingen in Franconia to Berlin with two friends. The career lawyer Markus and the entertainer Tobi, also loving fathers with adult daughters in the capital, would like to combine the friendship service with the opportunity to visit their offspring. However, as soon as they arrive, the three realize that they know very little about the lives of the young women. Jila doesn't want to talk to Danyal because she believes he is responsible for the failure of several relationships, the unsuccessful actress Tilda is burdened by her father's excessive career expectations and Hanna confronts the complacent judge Markus about a secret marriage for legally questionable reasons. The three fathers' short trip develops a dynamic of its own that also pushes the daughters to their limits.

In times of climate crisis, what can give us hope and strength to take action for a better future? In search for answers, Anna is transported to the year 2082 - where she encounters not only her own granddaughter, but also her older self.

Until now, Carlo thought he was living a quiet, manageable life. And he seemed content with his "small world". But somehow, things have not been running smoothly in Carlo's life for a few weeks now. At home, problems are emerging with his son Hendrik and wife Jutta. His now somewhat outdated garage, which he has been running for 30 years, is hardly generating any orders, and even his tortoise Adenauer is giving him grief because she has stopped eating. And now? Carlo has no intention of letting his long-serving employees Becker, Roger and Köll go, because they are more than just his employees. They are his best friends, without whom Carlo's life would really no longer be possible.

Susanne's husband left her six months ago; she doesn’t go out, she doesn’t visit her friends, she lies about having been left. Her only outlets are her work and her beloved synchronized swimming, until a young single mother and her daughter move into her building and turn her life upside down.