
Acting
From Wikipedia, the free encyclopedia Zijah Sokolović (born 1950, Sarajevo) is a Bosnian actor, writer and director who lives, acts and directs in Serbia, Bosnia, Croatia, Slovenia and Austria. Currently, he is a director of Theaterland in Salzburg, professor in Bruckner Konservatorium in Linz, artistic director of theater festival Dežela gledališča in Ljubljana and artistic project leader for Dramatic society, Dramatično društvo, but also directs plays in Zagreb. His famous monodrama “Glumac je... glumac... je glumac” has been played in twenty different countries around the world. Description above from the Wikipedia article Zijah Sokolović, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Serbian crime drama focusing on Belgrade's violent criminal underworld. Obituary For Escobar distinguishes itself from other recent crime dramas with its strong visual style and energetic approach. Borko was a young effeminate boy bullied at school by the self-styled 'Ghandi'. Years on, Ghandi is now a warlord, wrecking mayhem in pursuit of his ambition to become the leading drug lord in the Balkans. His execution of the rival 'Serbian Escobar' coincides with the mysterious placement of an obituary for the real Escobar by two stoners. In Ghandi's pursuit of the assailants he meets Lela, a stunning mystery woman who leads Ghandi to reconsider both "Borko" and his life in crime.

Based on a short story of Ivo Andrić, famous Yugoslav Nobel Prize winner, this film is set in Sarajevo during WW2. Mento is a humble, poor Jew who runs a caffe. Stjepan is a man of unknown background, with no social or psychological dimension, who joined Nazis to leave any sort of trace behind himself.

Silent Gunpowder (Serbo-Croatian: Gluvi barut) is a Yugoslavian war film Based on a novel by Branko Ćopić and set during World War II, the film tells the story of a Serbian village in the mountains of Bosnia and its villagers who found themselves divided along two opposing ideological lines, represented by the Chetniks and the Partisans. These two opposing sides are personified in the Partisan commander Španac and a former Royal Army officer Radekić. Španac sees Radekić as the cause of villagers' resistance to the new, Communist, ideology and so the main plot axis is the conflict between them. At the 1990 Pula Film Festival, the film won the Big Golden Arena for Best Film, as well as the awards for Best Actor in a Leading Role (Branislav Lečić), Best Film Score (Goran Bregović). The film was also shown at the 1991 Moscow International Film Festival, where both Branislav Lečić and Mustafa Nadarević won the Silver St. George Award for their performances.

Ivan teaches history in a Belgrade high school. In his class, Ivan is provoked by a student and ends up slapping him on the face. In Serbia, in the heat of transitional changes, Ivan’s presence in school is no longer welcomed. He finds a temporary job opportunity in a war-scarred mountain village in Bosnia. On his way there, he meets Yasmina, a young Muslim woman, back from Germany to her homeland after the war and after being invited by an old friend – Hazim - who now runs a motel. A lone kiss in a stormy night, in a village still lying in ruins, will bring Yasmina and Ivan closer together in a joint escape from reality and to a ride on a dusty bus, where neither one of them wants to sit next to the window.
Dramatization of a story of Vasa Ladački, inspired by the famous Balašević song. The story of a man who didn't have the courage to stand for the one he loved.

A teenager, son of an army officer moves with his family to Ljubljana in the fall of 1979. In the new surroundings, he'll fall in love, make friends and discover the world of punk rock. The latter will put him into the troubles with his strict father.

It depicts a night out of a young man from Sarajevo.

A boy's careless childhood is interrupted when he finds out about his parents' decision to divorce.

Bosnian Franciscan monk is put into an infamous prison in Istanbul. There he witnesses the sad destiny of a young Ottoman scholar.

Thanks to his friendliness towards Nazis, Sarajevo businessman gets more and more rich during WW2. However, his infatuation towards the Jewish girl causes his downfall.


