Longtime friends, Mehdi and Hamid, work for a collection agency. They crisscross the villages of southern Morocco in their old car and share double rooms in shabby hotels. They are exactly the same size, and wear the same suits and ties, as well as the same shoes. Paid nearly nothing, they try to play hard to make good figures. One day, in a gas station planted in the middle of the desert, a motorcycle parks in front of them. A man is handcuffed to the luggage rack, threatening. It’s the Evader. Their meeting marks the beginning of an unforeseen and mystical journey.

Fakhita discovered that her husband's daughter has a child from his mistress. He gets angry at him and forces him to divorce her only child, but the latter strongly rejects her attachment to her and her weakness. Which makes the need to pour out her anger by preventing him from using the work car, preventing the servants from carrying out any of his orders, and determining his powers in the company, which will make him plan to marry his mother in order to return to his previous position.

In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community

The residents of a small Moroccan city endure separate lives while knowing the same cycles of burden and small joys. Wives and husbands, mothers and fathers, sons and daughters maneuver their way through mourning as death takes loved ones and life insists on moving forward. Here, letting go is a challenge for both the dead and the living. The people of this city share the same world, but don't always know when they live in each other's lives, helping and harming each other. Connected by friendship, proximity, and blood, they both destroy and support each other. Through weddings, funerals, murders, forgiveness, love, new birth, and sacrifice, the living build community and hope. Meanwhile, the souls of the dead linger to watch over loved ones.

A young teacher named abdelrrafi lives with his mother, moves to another house suddenly knows the owner of the new house is " sheikha"

Ahmed's story is about a lazy man who works in a call center. He marries his new director Mona. One day, he is fired from his job while his wife is promoted. He finds himself out of work, so he is forced to clean for a while, then he tries to start a new project

"Lotfi", a concierge of an apartment torn apart by the commitments of the unusual residents, with the neighborhood problems, their mood swings and endless demands.

A classic car belonging to the boss of the local mafia goes missing from the garage of a mechanic called Kwika who had taken it in to do some repairs. kwika thus finds himself in a dangerous predicament with the boss who asks him to pay for the full value of the car within the month. kwika has no choice, he has to find the money but unfortunately has no way of doing so and has already suffered several threats and beatings by Kiama.With time passing quickly, he decides on the spur of the moment to sell one of his kidneys to a family with a sick child called Ismail, on one condition, that he has the operation in Singapore. kwika and Ismail leave for Singapore but first of all they touch down in Cambodia where they leave the airport and have all their belongings stolen. They are thus in a tragi-comic situation in Cambodia where they have to find a way of organising the operation as well as getting back home to Morocco.

مكاتيب (Makatib) is a social drama that centers on the life of Halima, a determined Moroccan woman who strives to support her family through honest work. She sells produce at a local market and endures the struggles of daily life while trying to rise above economic hardship. تفارج +1 Her husband, Ahmed, however, is unemployed and irresponsible — often critical and abusive toward Halima. He repeatedly pressures her for money and undermines her efforts, creating tension and hardship for the family. تفارج After enduring long periods of mistreatment and frustration, Halima makes the difficult decision to file for divorce to reclaim her dignity and break free from her oppressive situation. This choice doesn’t come without conflict, as her husband reacts strongly and seeks to complicate her life further.