The story about an old man and a peony fairy.

Returning home from a long voyage overseas, a man finds his wife and child living with another man. Fuelled by anger, he murders the other man and is forced to flee justice, until he faces death on a deserted island.

This sound film remake of The Goddess (1934) was headlined by Hu Die, who found stardom at the same time as Ruan Lingyu. Henry Lai Hang and Zhang Zhizhi reprised their roles from the earlier film. The first half of the story follows The Goddness but the second half references Bu Wanchang’s Love and Duty (1931) and King Vidor’s American film Stella Dallas (1937) with additional plots of the heroine’s post-prison story. After years of separation, she hesitates whether to reunite with her son. This new version poses a bigger challenge to a mother’s love and pushes towards the completion of her fate. The characters use dialogue to express their pain and connection, which strengthens the dramatic dilemma and makes the film more straightforward than its predecessor. Hu Die possesses a sort of allure that shows the sadness, shame, and will of a common woman from middle age to old age.

A young prostitute, who is trying to give her infant son a good start in life, must contend with a coercive pimp and the prejudices of others.

A wild country girl moves to Shanghai with her painter boyfriend and experiences exploitation and poverty.

A zombie appears in the Bao family in Hangzhou, claiming to be the ancestor of the Bao family and asking the family to move out immediately. The family is confused and calls their children and grandchildren to discuss the matter. After the departure of the old family member, Feng Lao, the vampire has become even more aggressive, and the orphaned man, Yisheng, who has been taken in by the family, is scared to death by the vampire, so the three daughters, Peifen, write a letter to ask their friend, Zhuji Jianping, to come and help them. At the request of a man in black, the family moves out, leaving only Yat-sang and Cheung Tai-hon behind.