A group discussion about trans people produced by the Erickson Educational Foundation. Featuring Pamela Lincoln, Dr. Leo Wollman, Lyn Raskin, Deborah Hartin, and Zelda Suplee.

A rare beatnik artifact of the early 1960s, one of only a few such films made before the hippies took over Hollywood. Low budget and in b&w, it's set in Greenwich Village, with what seems like a mostly improvised script. It begins as a late film noir crime tale involving a bank robbery where only one of a group of thieves escapes with his life, as well as $90,000 in loot. Injured and on the run, he hides in a local tour bus and is soon taken in by a group of bohemians who shoot him full of morphine to ease his pain and let him sleep it off on a mattress. Mason is the head beatnik. There's also the owner of both an upstairs coffeehouse and garret, where these beatniks hang out. They, in turn, bring the tourist trade in. Although the robbery is supposed to be the main focus of the plot, it quickly turns into more of a character study featuring these rebellious bon vivants and their odd lifestyle...

A married couple from New York City escape the blistering summer heat by visiting a New Jersey nudist camp. When the husbands' boss finds out, he tries to entrap him.

Arthur Sherwood is on a hunting trip when he stumbles upon a nudist camp. Horrified, the prudish newspaper editor sends female reporter Stacy to write an exposé. However, much to her surprise, Stacy loves the free-spirited lifestyle and writes positively of her experience. The dissatisfied Arthur joins the camp himself to write his own story.

Married nudists Anne and Tom work in real estate but Tom is fired for his lifestyle. Unfortunately, as he was ready to close a big major deal, Tom goes to his favorite nudist camp to take his mind off his problems and discovers that the client is also a member. Together, they scheme to get Anne and their boss to visit in order to make the deal.