From time to time, we have produced an admirable film about the virtues of the domestic army, which raised the right men in ideal conditions - in this case, we meet the enthusiastic drill sergeants in green, who selflessly rehearse a demanding Spartakiad composition... So, two aspects important to the regime have merged into one. But even this did not change the incredulous, spasmodically optimistic yawn that perhaps even those who had set all this up could not believe. The film uses documentary footage of the soldiers' Spartakiada performance in 1980.

February 1948. The struggle of decisive social forces for the heart of Europe.

Police discover Eva Nejtková dead in her apartment and her husband Zdeněk unconscious from a shotgun wound. Captain Hora leads the investigation, noting that the killer struck Eva fatally and shattered her large aquarium, yet carefully transferred the goldfish into a smaller tank. Initial suspicion falls on Zdeněk’s apparent suicide attempt, but financial records and the absence of drugs at the scene shift focus. Detectives trace psychotropic medication supplies to Eva’s dealings with local addicts. As they question these “práškaři,” they uncover a network of illicit sales and potential motives tied to debts and blackmail. Clues from the supplier’s arrest and addicts’ testimonies gradually reveal whether Eva’s murder was linked to her clandestine drug trade or if a more personal betrayal lies at the heart of the crime.

A petrol pump is run by a permanent team: the manager Vávra, a former civil engineer ing. Stejskal, a smug crook named Karafa, and an old man, Dvořák, who is about to retire. They have a well-developed system that allows them to divert part of the profits into their own pockets. The only one who wants nothing to do with the crooked business is old Dvorak, who one day will find another job. Into this situation comes a young man, Zdeněk Černý, as a new employee. He's inquisitive and works quickly. He also understands the profit-sharing system. He soon inspires confidence in Vávra and the others, but soon starts to assert his right to an equal share of the profits...

Two young returnees from the First World War face a difficult future because they cannot find work. One eventually finds a job as an electrician, the other breaks into the Social Democratic press, where he gets the chance to watch up close how the Social Democratic leadership deceives its members and enters the service of the ruling classes. And a newly-trained journalist solves the problem of whether he should also adapt to the corrupt environment...

The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?

The future communist journalist Julius Fučík had a stimulating childhood and youth in a working-class environment, when his moral maturity was already showing. The authors of the film recall that the young Julek was a star of the suburban operetta scene, and in three episodes they depict him both in his early childhood and already at the gymnasium, when the outbreak of the World War shaped his determination.

The Francs with their daughters Olina and Jirina are building a villa in the village of Rezkovice. Father Franc (Vladimír Mensík) doesn't allow himself a minute's respire and restlessly forces to work his wife, both daughters and Zdenek, Jirina's suitor. Zdenek does not protest against it and, in addition, he is skillful. On the contrary, Olina's boyfriend Libor is worse at work. He studies at the Technical College and he does not succeed much in grasping the building handicraft. Franc, proud of his pursuits, decides that he will arrange the wedding for both daughters and then hand them over the key of the villa in which both pairs have luxuriously furnished flats.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

A twelve-year-old is looking for his biological parents after discovering the fact that he was adopted.