Erhart wants to protect his mentally ill mother from the forced sale of her home. Doing so, he uncovers a scheme that reveals the secrets of his long-vanished father. Family story meets the legacy of post-socialist transformation.

Karel and Saša's marriage has reached a dead end, so Saša moves out of the house for a while. She finds temporary refuge with Dušan, an old acquaintance who once played at their wedding. Both of them, sometimes together, sometimes separately, explore the elusive topic of relationships and shed light on it from their opposite perspectives.

Karel and Saša's marriage has reached a dead end, so Saša moves out of the house for a while. She finds temporary refuge with Dušan, an old acquaintance who once played at their wedding. Both of them, sometimes together, sometimes separately, explore the elusive topic of relationships and shed light on it from their opposite perspectives.

Lucie is a conversational movie, sometimes also called "bytový film" which in translation means "residential movie". The story takes place in one location which is the flat of one of the character's whose name is Lucie. Lucie invites a group of people to have a few drinks and to have some interesting conversations.

Lucie is a conversational movie, sometimes also called "bytový film" which in translation means "residential movie". The story takes place in one location which is the flat of one of the character's whose name is Lucie. Lucie invites a group of people to have a few drinks and to have some interesting conversations.

Lucie is a conversational movie, sometimes also called "bytový film" which in translation means "residential movie". The story takes place in one location which is the flat of one of the character's whose name is Lucie. Lucie invites a group of people to have a few drinks and to have some interesting conversations.

Another "bytový film" by Bohdan Karásek. Milostné písně already uses a more structured screenplay and the plot takes place at many different locations. Another conversational drama.

Another "bytový film" by Bohdan Karásek. Milostné písně already uses a more structured screenplay and the plot takes place at many different locations. Another conversational drama.

Based on the novel by Jáchym Topol. Potok works as a set designer in a small theater. He is in his thirties and his life is essentially going nowhere. He views his surroundings and himself with contempt. His aimless life only changes when he meets Černá. The couple in love escapes from the city. Inevitably, however, they once again encounter human calculation, shallowness, and bad taste. Potok falls back into his former skepticism, which leads to the total breakdown of their relationship. Černá leaves him, and a desperate Potok slowly comes to a more conciliatory attitude toward the world, where there is no longer any place for great love and dark romance. Unlike Jáchym Topol's literary work of the same name, which takes place during the three years after 1989, the film ignores the time frame. It focuses on the hero's internal conflicts, which are timeless.