Vlado has just passed his high school diploma and is starting a job as a home tutor in the family of a big businessman. He finds himself in a very difficult turning point in 1947-48. He does not understand much of what is happening around him. He constantly experiences emotional confusion, comes into conflict with his conscience and finally has to decide between love and reason...

Even a casual hitchhiker can get caught up in unexpected family troubles. The skilled title character fixes a broken-down car and is rewarded: he is invited to a luxurious cottage. However, its owner finds himself in a difficult situation when, in addition to his wife, his mistress arrives there - the hitchhiker is therefore asked to pass off the girl as his girlfriend...

The peculiar Fanoš Mikulecký is the originator of many well-known songs from Podluží, generally considered folk songs. Next to him, the other main protagonist of the story is Honza, a musician and an uneducated journalism student. On one of his journeys he meets his former professor. He suggests that together they visit one of those who compose folk songs but do not claim authorship, Fanoš Mikulecký. With him, Honza understands the meaning of artistic creation and the fulfilment of human life...

A loose sequel to the 1976 comedy Stormy Wine. The screenwriters and the director recreate on screen a number of characters from the South Moravian town of Pálavice, characterised by their different attitudes and approaches to work and private life. A number of serious issues touching on the times emerge around the story of the con man. The fundamental dispute between the vice-chairman Janák and the chairman of the merged cooperatives ing. Urban, as well as the satirical theme of illegal machinations and bribes, are undoubtedly of general validity.

High school students experience the everyday worries of their age - they prepare for their high school graduation, go on a production internship at an engineering plant, and compete for a ski trip to the Krkonoše Mountains...

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.