A sequel to the 2015 film Mihrez: Cin Padişahi.

After the suicide of his wife, Murat leaves the city and settles alone in a village house. His colleagues - Mesut, Sevda and Sinem - don't want to leave Murat alone and went to to improve his psychology. They decide to come to visit him, but are faced with paranormal events.

Semur 2: The Magic of the Jinn tells the story of a group of friends who go to an ancient Greek village in search of things worth gold. The life of 25-year-old Greek-born Alesia is turned upside down by a letter from her grandfather. In the letter, his grandfather, Greeg, mentions things worth gold found in a Greek village. Deciding to follow what was written in the letter, Alesia goes to an old Greek village called Yorgalar with her friends. Young people face terrible events here. Here, Alesia is forced to face the terrible truths of her past.

Müsfer: The Djinn Tribe is about the experiences of Kadir, who had to return to his village, where he had not set foot for years, for his uncle's funeral. Kadir, who left his village years ago, goes to his village to attend his uncle's funeral. However, the mysterious death of his uncle causes Kadir to find himself in a series of mysterious events in the village. What is the secret of Kadir's uncle that he has been keeping from everyone for years?

Mefruh: Violence Cin is about the experiences of a team investigating paranormal events. A team starting a new media channel starts making videos about paranormal events. The team decides to go to Yorgolar village, the old Greek village where a series of paranormal events took place in 1977 for their new video. The team, who set out without wasting time, find themselves in extraordinary paranormal events when they reach the village.

Groom's Block is slang in Turkey for prison sections holding those accused of serious sex crimes. The film's story and characters are drawn from everyday life. In the Groom's Block, the guards and prison governor manipulate tensions, as prisoners push each other to the edge of existence. We experience the tension and paradox of a violent prison and justice systems reflecting the shifting moral norms and structure of Turkish society. The jailed and jailers enforce violent justice daily, expressing in their lives a society confronted with its need to hide from itself, in desperate denial of its cruel contradictions.

Gökhan left his studies at Istanbul University's Faculty of Economics in his second year due to his passion for becoming a painter. His greatest dream is to exhibit the paintings he has been creating for many years in an art gallery. While his friends from the same period are at the peak of their careers and earning good money, Gökhan is trying to make a living by painting artistic works on one hand and commercial works on the other.