Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

Two missionaries travel through the forest searching for the last uncontacted tribe, at the mythical city of Ragatanga. Lost and disoriented, they face supernatural threats that put their faith to the ultimate test.

Two missionaries travel through the forest searching for the last uncontacted tribe, at the mythical city of Ragatanga. Lost and disoriented, they face supernatural threats that put their faith to the ultimate test.