
Directing
Yuya Ishii is a Japanese film director, writer, editor, producer and actor best known for his 2013 movie The Great Passage for which he won best director at the 2013 Japanese Academy Awards.

A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.

Jiro is a chubby and clumsy young man who is very unhappy about his appearance. He has difficulty finding his feet and it is certainly beyond his ability to find a girlfriend. At a certain point he falls in love...

7 years ago, Yoichi died in a traffic accident. His wife Ryoko did not receive compensation from her husband's death. She has since raised her son Junpei by herself. Junpei is now a middle school student. Ryoko also cares for her father-in-law, who lives in a nursing home and she also runs a cafe. Her care is in a difficult situation due to Covid-19, while Junpei experiences bullying at school.

7 years ago, Yoichi died in a traffic accident. His wife Ryoko did not receive compensation from her husband's death. She has since raised her son Junpei by herself. Junpei is now a middle school student. Ryoko also cares for her father-in-law, who lives in a nursing home and she also runs a cafe. Her care is in a difficult situation due to Covid-19, while Junpei experiences bullying at school.

After 5 years in Tokyo, 5 part-time jobs, 5 boyfriends, Sawako's life is going nowhere. When her father gets seriously ill, she has to take over his struggling factory. Gradually she becomes the decider of her own life.

After 5 years in Tokyo, 5 part-time jobs, 5 boyfriends, Sawako's life is going nowhere. When her father gets seriously ill, she has to take over his struggling factory. Gradually she becomes the decider of her own life.

A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.

A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.

A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.

A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.

Miyata lost his wife early on and single-handedly raised their two children. One day he notices a change in his physical condition, and decides that it must be stomach cancer.

Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, The Great Passage. In the eclectic team, he becomes immersed in the world of dictionaries. But the team is overwhelmed with problems.

