Directing
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An opium smuggler is marked for murder in this story of the Chinese Mafia.
Bruce Winthrop, disguised as a clerk in the American consulate near the Mongolian border, is actually a secret United States government operative sent to quell a Chinese rebellion led by Tai Chen.
A three-reel silent drama about an ambitious young man leaving behind his beloved in Japan to study abroad at the University of California, Berkeley.
Yano is a small delivery boy for his uncle, who keeps a curio shop in Chinatown. His loves are Tama, his sweetheart, and Bengi, his dog. Bengi is seized by dog catchers, but is rescued by Letty Stanford, for which Yano promises his fealty. Later Letty is kidnapped by Germans because of her war activities, and it is Yano who goes to her rescue and gets her free in spite of his diminutive size. The Little Japanese has paid his debt.
A white child is adopted and raised by a Chinese citizen and brought to San Francisco, where no one surmises that she is actually not Chinese.
A venal, spoiled stockbroker's wife impulsively embezzles $10,000 from the charity she chairs and desperately turns to a Burmese ivory trader to replace the stolen money.
After Ned Hamilton is rejected by his girlfriend, he travels to Japan where he hears an old legend about the Willow Tree Princess, who kills herself so that her lover will go off to battle. When he makes a purchase from Tomotada, an image maker, he meets his pretty daughter O-Riu, and they recreate the events of the legend.
The film is perhaps the only remaining example of silent era cinema from a Chinese-American production company, and was co-written, co-directed (with Francis J. Grandon) and produced by James B. Leong, who changed his name from Leong But-jung after emigrating from Shanghai in 1913. Of the seven reels that originally comprised 'Lotus Blossom,' only one (the fifth, running for 12 minutes at 20fps) is known to survive. This remaining reel of film is now available on Disc 2 of the DVD Collection "More Treasures from the American Film Archives," and was preserved by the UCLA Film and Television Archive.
The son of a wealthy imported goods dealer, Herbert Franklyn refuses to curb his appetite for gaiety and women after his engagement, with the result that his fiancee, Miriam Faversham, breaks off their relationship. On the firm's annual trip to Japan, Herbert meets Cherry Blossom, whose father Tokimasa wishes her to marry a Westerner.
Upon returning home from school one day, Lotus Blossom, a Japanese orphan who lives on the island of Hilo in Hawaii and teaches at a native school, discovers Parker, nearly dead from hunger. Believing his story of a shipwreck, Lotus nurses him back to health and then, mistaking loneliness for love, agrees to marry her patient. Soon tiring of her, Parker deserts her and assumes a new identity.
An action masterpiece depicting the brotherhood of a younger brother (a student yakuza who breaks the gang rules and the law), and an older brother who prays for his brother's happiness while becoming a gangster to the old yakuza.
A twice-remade ironic comedy about a writer's encounter with a female thief.
Directed by Yutaka Abe.
Directed by Yutaka Abe (as Jack Abe).
Mr. Baku, a sandwich man, was familiar to his neighbors because he was a natural friend of Ryotaro Yanaka. Yoshie, the sign girl of the coffee shop, is the lover of Douta Kuraishi, the manager of Cabaret Orion.
At 38, Seiu marries Masako, who is emotionally distant and attempts suicide. Masako’s past includes being sold into servitude and an unrecognised pregnancy. Seiu learns the truth and accepts Masako and the unborn child, embracing his roles as husband and father. He also reforms a troubled youth at his institution. In a climactic speech, Seiu inspires his students with resilience and love.
A platonic love story, the protagonist continues to love the woman he fell in love with when he was a boy for the rest of his life.
The film was produced during Second Sino-Japanese War, before the Pearl Harbor Attack in 1941. The film mainly concerns the training of newly-recruited pilots and their daily life, then their subsequent fighting experiences in China. Army supported the production, providing all the authentic airplanes, training and actual actions. They even provided the older biplanes disguised as Chinese fighter planes. Obinata plays the trainer-turned-combat-leader, who is passionate and cool at the same time. All his boys love him, of course. The film is not as intense, full of sugar-coated camaraderie, until young pilots are killed in action one by one. Last twenty minutes are fairly grim, as the message of self-sacrifice is heard loud and clear.