Acting
No biography available.
The concept of the project is to show what a Kino performance can be like in the 21st century, with good modern sound and stage production. Most of the material will be performed as close to the original as possible, but there will also be improvisations and new interpretations. The basis of the program is the real voice of Viktor Tsoi, digitized from the original multi-channel recordings of Kino. The group includes two original bass players of the group from different years, Alexander Titov and Igor Tikhomirov, and the permanent guitarist Yuri Kasparyan.
Concert-film about the work of Russian musician Viktor Tsoy.
A kaleidoscopic living diary of the underground rock scene in Leningrad just before perestroika.
A young musician falls for a mobster's young mistress.
Documentary — featuring both interviews and live footage — about underground rock music in Russia, during the last years of the Perestroika.
The Soviet rock band Kino's concert at the Olympic Stadium (Olimpiyskiy) in Moscow on May 5th 1990.
A documentary about the Soviet rock group Kino which mixes music video sequences, footage from the band members' day to day lives, interviews and concert footage.
French television documentary which tells the French audience about what rock music was in the Soviet Union. Appearances: band "Кино" Boris Grebenshchikov, Sergey Kuryokhin, band "Секрет", Stas Namin, Artemy Troitsky and Alla Pugacheva.
The film is based on the concert of "Pop Mechanics" under the direction of Sergey Kuryokhin.
Four music videos of Kino band joined together with a single plot
Remix of the 1988 cult movie "The Needle": Moro returns to Alma Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina, and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug mafia responsible for her condition. But Moro finds a deadly opponent in "the doctor," the mafia kingpin who is exploiting Dina.
Ryan, a young outsider who has travelled from Hong Kong to London, wanders through the city while addressing the audience directly, transforming the film into an intimate dialogue between performer and viewer. Through fragmented reflections, observational encounters, and moments of self-awareness, Ryan struggles to articulate his place in a world that feels emotionally and culturally distant.