Directing
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Nina must return to her home country after two years of living abroad. On the eve of the flight, she has a dinner with friends, during which stories are told of this group of foreigners in the new country. The next morning, on the day of the trip, Nina experiences a nightmare.
A chant that evokes. A city that falls apart. A building that rises. A poeple that turns white. A family that convulses. A silence that cuts.
A volcanic eruption, an act of faith, the empire re-enacted in the Cavalhadas de São Pedro and the technologies of nature monitoring intertwine in a non-reductionist gesture of synthesis.
In Nada É, everything was or will be.