
Directing
Yuli Yakovlevich Raizman (Russian: Юлий Яковлевич Райзман; December 15, 1903 – December 11, 1994) was a Soviet and Russian film director, screenwriter and pedagogue. People's Artist of the USSR (1964) and Hero of Socialist Labour (1973).

With an international chess tournament in progress, a young man becomes completely obsessed with the game. His fiancée has no interest in it, and becomes frustrated and depressed by his neglect of her, but wherever she goes she finds that she cannot escape chess. On the brink of giving up, she meets the world champion, Capablanca himself, with interesting results.

The film tells about the main stages of the history of the country's largest studio "Mosfilm", about the work of the creative team, introduces the viewer to the outstanding masters of Soviet cinematography, with such unique groups such as the Theater-Studio of Film Actors, with the workshops of the studio.

A documentary on Soviet filmmaker Aleksandr Medvedkin, examining his tumultuous career, the rediscovery of his masterpiece Happiness, and Russia's struggles over the course of the 20th Century.

About the Soviet actor of theater and cinema, Honored Artist of the RSFSR - Evgeny Yakovlevich Urbansky recalled Vasily Livanov, Polina Filippovna, Grigory Chukhrai, Grigory Elanchik, Yuli Reisman, Sophia Pavlova, Evgeny Leonov, Innokenty Smoktunovsky, Nina Drobysheva, Yuri Nagibin and others. Poet Yevgeny Yevtushenko reads poems dedicated to Yevgeny Urbansky. The film also features fragments of movies with his participation.

There was no Soviet actor who could claim a greater popularity than Raikin. He was allowed the impossible: to be a satirist. Even during the height of government approved Anti-Semitism, Raikin was a figure to be reckoned with. He was known and beloved by all, his razor-sharp wit admired - and feared. In fact, president Putin met his future wife at a Raikin show. The film follows Raikin to his shows, on stage, and backstage, during rehearsals, at rest, and during conversations with his friends, including legendary Soviet jazz singer Leonid Utesov, film director Yuli Raizman, the poet Bella Ahmadullina, and the American film director George Kukor.

“The Magic Beam” is a film essay woven together from newsreels and documentary material from different decades, fragments of hundreds of non-fiction and fiction Soviet films of the 1910s-1960s.

High school students Ksenya and Boris are in love but all the world is against them.

High school students Ksenya and Boris are in love but all the world is against them.

Irina Kupchenko stars in this psychological drama by the renowned director/writer team of Yuli Raizman and Yevgeny Gabrilovich. In the story, she is the entirely respectable wife of a career diplomat, with a teenaged son. Suddenly one day, she decides to leave her marriage and go live with her lover.

Vasily Gubanov, the son of the film “The Communist”’s hero, arrived in Moscow not on call or for a business trip. Instead, he came to raise the issue with government authorities about halting the construction of a chemical plant. Despite being the author of the project, which was in full swing, millions of state funds had been spent, and thousands of people’s lives were tied to its completion.

Vasily Gubanov, the son of the film “The Communist”’s hero, arrived in Moscow not on call or for a business trip. Instead, he came to raise the issue with government authorities about halting the construction of a chemical plant. Despite being the author of the project, which was in full swing, millions of state funds had been spent, and thousands of people’s lives were tied to its completion.

A young ordinary communist, Vasiliy Gubanov, was among many who took part in the construction of the most important facility for the young republic, the power plant. He did his job in a way that was beyond human ability. He could love, too, with a passion and a passion for self, but his life was cut short very early.

Mikhail Ulyanov is the Bergmanesque protagonist of the Russian Private Life. A government-appointed factory executive, Ulyanov is reduced to quivering confusion when he is dismissed. Recovering from this blow, he decides to review and realign his life. In so doing, he discovers that there's plenty left in the world to make life worth living. Private Life was nominated for the "best foreign picture" Academy Award in 1983.

Lovely telegraph operator Masha Stepanova is a sanitary nurse. During a training alarm, she meets a taxi driver Alexei (Alyosha) Solovyov. He reads verses to a girl and invites her to the theater. But at the appointed time, Alyosha doesn't come, and Mashenka finds him, helps to recover. Young people fell in love with each other, but Alexei was too frivolous, and brings the girl a lot of sorrows and insults. Because of Alexei’s hobby for another girl, Masha breaks up with him. But she will be able to convey her faithful and true-hearted feeling through years of separation and the hardships of wartime, and when they meet again at the front of the Finnish War, Solovyov realizes what a gift of fate was meeting him with this girl.

On one of the October nights at the ball, gymnasium pupils and officers scoff at the love of Kuzma Zakharkin, the “cook's son”, to Lena, the daughter of the manufacturer. Cannon volley interrupts the fun. In the city begins the Moscow armed uprising of workers. At the center of the fate of two families is the capitalist Leontyev and the worker Zakharkin, whose sons became the organizers and participants of this uprising.

Soviet filmmaker Yuri Raisman once more combines political dogma with solid entertainment values in Dream of a Cossack (aka Cavalier of the Golden Star). The title character, played by future director Sergei Bondarchuk (and billed for obscure reasons as Semyon Bondarchuk), is an ex-soldier who returns home to the Kuban region, there to take up life as a farmer. Instead, he galvanizes the local citizenry into participating in a massive construction project, which will result in a new power station and canal. Thus does Raisman offer an prime example of Russian collectivism while making it seem as though it had sprung from individual initiative. Dream of a Cossack is based on a popular novel by S. Babayefsky.

