Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

Based on a true story and set in one of the most colorful periods in Philippine history, ROSARIO is destined to be a modern masterpiece in Philippine filmmaking. It is a monumental yet intimate portrait of a woman's emancipation and the sometimes painful consequencesof following one's desires.

Angelo seeks the easiest solution for his problem, which is to find an escape from his exhausting life journey caused by academic pressure, peers, and his toxic environment.

A wandering peddler suddenly decides to separates from his group of travellers, his reasons are unknown and the dangers will be many.

An assassin, a porn dubber and a transgender. Three souls. One explicit illusion. To find the ultimate joy in their empty lives. A safe haven, where passion and love mean humanity, ecstasy means enlightenment; and the soul is the ultimate arbiter of the truth.

When a Filipino teen is found fatally shot on the streets of New Jersey, the investigation into his death reveals the struggles of the Filipino-American community, including the horrifying effects of methamphetamine on its youth.

Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.

A woman who cannot remember begins to see ghosts of the past.

Maryo J. Delos Reyes' gritty noir, about the triangle that develops between a man, his wife, and his best friend.

After their mother's death, her adult children gather in their family home to respect the funereal rite of Pa-sayim. Although they had originally thought she died of natural causes, thy soon realize that a dark force in he home may have played a part in her demise.