Jidai-geki by Kiyoshi Saeki

Period film about a feudal era judge living in Edo

A family comprised of a man, woman and their only son is torn apart when the father, who is a doctor with his own clinic, is to go off to war. Soon the wife and the son are left without an update of his status and whether he is alive or not. With the clinic lying dormant the doctor's wife rents the premises to her husband's underling. This is a man who does not accept payment from the poor. The woman, in the meantime, works at a restaurant whose owner being ill has given her additional duties. Her younger sister is an unmarried finance writer who also lives with them. It is both sisters, however, who receive marriage proposals.

A film by Kiyoshi Saeki

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

A motley cast of characters, including a human billboard and a shoeshine girl, help a 5 year old girl after she is separated from her mother on the crowded streets of Ginza.

The troubled relationship between a writer and his ballet teacher wife, who has for years loved another man, finally leads to the breakup of the family.

Mataemon Araki, a renowned swordsman, helps a young man find vengeance.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.