While hunting a cultured and vicious psychopath, detective Amaldi faces the physical and moral decay of his city as well as the ghosts of his past.

This is a film about old fashioned Bulgarian customs and moral rules. A pre-arranged marriage of two children is no obstacle to true love.

Rado, an orphan from a poor Sofia neighborhood, has been in and out of school for troubled youth for years. Although he is approaching adulthood, he is yet to finish 8th grade. He cannot reconcile his pride and sense of justice with the kind of education provided by people who are deprived of sensibility and human warmth. Rado asserts his right to freedom by frequently running away. During one of his escapes he meets the love of his life, Albena. She is a good student, and comes from a well-educated, sophisticated family. This new and unexpected connection intensifies Rado's desire for freedom and independence, and leads them both into uncharted territory.

20-year-old Georgi was adopted as a child. The family falls apart though and he ends up in a youth detention center. When released, he comes to face people's selfishness and disregard, He begins to steal things. The investigator working on his case talks to his adopted parents, his girlfriend and friends. Hiding from the police, Georgi ends up in a small town at the Black sea coast. He falls in love with his friend's sister Yana. Yet again, he finds no sympathy and understanding. He steals again. The investigator wants to help him but Georgi has given up all hope. He wants to commit suicide. Yana is the last spark of hope to bring him back to life.

A study in human psychology that uses five disparate characters from clearly defined social positions, this film offers as much insight into the society of a changing Bulgaria, as it does into the minds of individuals in conflict. The story centers around transporting a worker's corpse, in a truck, to the mountain village where he was born. In the truck is: a man who may be suffering from tuberculosis, and who has an unfaithful wife at home; a doctor (the intellectual); a bookkeeper worried over the salaries she pays out; a hermit picked up on the road; and the driver who is a rough-and-ready working-class symbol. The seeds for conflict are set both by the personalities of the five in the truck and by their social background. The director Christo Christov, acknowledges his debt to Henri-Georges Clouzot and the Wages of Fear, for inspiration in the treatment of human conflict, its development through a set storyline, and its resolution in each of the five cases.

In this comedy, a mathematician is so bored and burnt-out with his career that he rebels, first by crawling under a table during an interminable faculty meeting and then by throwing his telephone away, locking his wife out of their apartment, and running off on his own. At this point, the comedy takes a turn when the rebellious mathematician follows a strange wheel and meets a goatherd who shelters him in his humble abode. Events change from a bit odd to totally bizarre as the mathematician continues on his journey of escape.

The action takes part from August 26 to September 9,1944 - the last days of the fascist regime in Bulgaria. At that time, following a decision made by the Central Committee of the Bulgarian Communist Party, all-out preparations for an uprising are under way. The central characters are real historical figures representing two antagonistic camps. The film chronicles a series of dramatic events: secret underground meetings, actions of the combat groups and the partisans, strikes and mass rallies, the last attempts of the regime to hold on to power. The film recreates the atmosphere on the eve of the uprising, which culminated in the main thrust: the seizure of the Defense Ministry in Sofia on the night before September 9.

The wars of 1912-1913 pass as a distant echo in Dozhden, a small village in the Rhodopes. Overwhelmed by a dream to fly, the young shepherd Sirachko, the son of a skilled craftsman, set about building an aircraft.

Dr Ganevski leaves his wife Maria and his grown-up children Rositza and Chavdar for Dr Troyanovska, who has been widowed by the war. Her son, Angel, a school dropout, is in love with Rositza. Rositza renounces her father. Up to a point, Chavdar can understand Ganevski's decision. Hoping to live in affluence, the boy moves in with his father's new family. Dr Ganevski cannot bring himself to visit his daughter who is ill with the pneumonia. On his birthday, which he celebrates at his father's, Chavdar feels terribly lonely and leaves him.