
Directing
Yonfan is a Hong Kong film director and photographer. He was born in Wuhan, Hubei, Republic of China. As the Yang family emigrated from mainland China, they lived first in Hong Kong for 3 years, and then moved to Taiwan when Yonfan was 5 years old. He spent most of his childhood and adolescence in Taichung, Taiwan, and returned to Hong Kong in 1964 as a 17-year-old man to work as a photographer, but left for the United States in 1968 to study film. After a couple of years travelling through the United States, France and Britain, he returned to Hong Kong in 1973, and became a photographer noted for his celebrity portraits.

In 1930s Suzhou, the fifth wife of an opium-addicted aristocrat, her husband's female cousin, and a handsome instructor develop an intense relationship.

A shameful period in Taiwanese history provides the backdrop for this emotional drama from writer and director Yonfan (aka Yang Fan). In 1949, in the wake of the 228 Incident (in which anti-government protesters launched a rebellion that was violently put down by authorities), Taiwan came under martial law, and through much of the 1950s brutal reprisals against suspected communists were commonplace. During the years of the "White Terror," thousand of supposed dissidents were killed, imprisoned or simply disappeared at the hands of the military police.

Miss Bowie is more or less happily raking in the cash until her life is complicated by the sudden reappearance, after 20 years, of her first (and presumably true) love. To this is added Miss Bowie's annoying teenage niece and a strange disease.

Developer Tsang Siu Chi and his agent have bought two of a group of four properties. Rival developer Boss Hung has secured the other two. Both aim to buy all four so they can knock them down and build hotels.

Lovable Mr. Coconut arrives in town from Hainan China where he lived with his coconuts. Here in the sophisticated urban jungles of Hong Kong. He has finally reunited with his family, as he endures Hong Kong Streets of the late 1980s, filled with stock and property gamblers, heavy mobile phones and others.

Best friends So-so and Nancy fall in love with the same handsome Japanese boy, who cannot fulfill both girls' destinies.

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

Set in the then Portuguese colony of Macau, IMMORTAL STORY depicts the story of the love affair between a small time chanteuse and her Japanese beau. They met when both were young and pretty and again many years later when he had became a drug addict and she a fallen woman.

This documentary records the precious memories of Chinese artist Huang Yongyu during the celebration of the Lunar New Year in 2012, showing his life details and personal emotions.

A femme fatale and a photographer embark on a romantic adventure surrounding a mysterious marble.

A hustler and a model policeman who is uneasy with his own secret homosexuality begin a secret relationship.

Set in the then Portuguese colony of Macau, IMMORTAL STORY depicts the story of the love affair between a small time chanteuse and her Japanese beau. They met when both were young and pretty and again many years later when he had became a drug addict and she a fallen woman.

Set in the then Portuguese colony of Macau, IMMORTAL STORY depicts the story of the love affair between a small time chanteuse and her Japanese beau. They met when both were young and pretty and again many years later when he had became a drug addict and she a fallen woman.

A hustler and a model policeman who is uneasy with his own secret homosexuality begin a secret relationship.

A shameful period in Taiwanese history provides the backdrop for this emotional drama from writer and director Yonfan (aka Yang Fan). In 1949, in the wake of the 228 Incident (in which anti-government protesters launched a rebellion that was violently put down by authorities), Taiwan came under martial law, and through much of the 1950s brutal reprisals against suspected communists were commonplace. During the years of the "White Terror," thousand of supposed dissidents were killed, imprisoned or simply disappeared at the hands of the military police.

In 1960s Singapore when Bugis Street was a center of transvestite and transsexual prostitution, naïve sixteen-year-old Lian comes of age working as a receptionist for the Sin Sin Hotel, home to a gaggle of trans women whom all have stories of broken hearts and drunken sailors.

Three flatmates share a luxury flat. A philandering hairdresser meets his match. A young stockbroker meets his boss's soon-to-be-ex-wife. A pregnant lady unsure over the identity of the baby's father.

A shameful period in Taiwanese history provides the backdrop for this emotional drama from writer and director Yonfan (aka Yang Fan). In 1949, in the wake of the 228 Incident (in which anti-government protesters launched a rebellion that was violently put down by authorities), Taiwan came under martial law, and through much of the 1950s brutal reprisals against suspected communists were commonplace. During the years of the "White Terror," thousand of supposed dissidents were killed, imprisoned or simply disappeared at the hands of the military police.

In 1930s Suzhou, the fifth wife of an opium-addicted aristocrat, her husband's female cousin, and a handsome instructor develop an intense relationship.

A femme fatale and a photographer embark on a romantic adventure surrounding a mysterious marble.
