
Acting
Maki Yoko is a Japanese actress. Maki has appeared in several films including 2003 film Infection and the 2004 American remake The Grudge. Maki made her film debut at the age of 19 in 2001 film Drug. Her film career sprung when receiving a role as Aya in the highly modernized remake of the Japanese vengeance film Lady Snowblood (later re-titled as The Princess Blade). Maki later began performing on stage in the 2002 play Cross. In November 2008, Maki announced that she had married a 26-year old man not in the Japanese entertainment industry.

A corpse of a clown is found in a park. Detective Shirataka Amane of Musashino Higashi Police Station begins investigating with rookie detective Uzuka Shinsaku. They find a picture of the victim holding a balloon with the number 1 and the letters TTX on social media which indicates pufferfish poisoning. Shirataka intuitively suspects that this is an incriminating statement done by a serial killer, but Chief Investigator Fukukawa Saeko denies her. Detective Kusano Seiya and other personnel of MPD First Investigative Division join the investigation, then a second murder occurs. Shirataka recalls an unsolved kidnapping and murder case from two years ago that she still regrets.

An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.

A free-spirited psychiatrist exudes a magnetic attraction for patients with out-of-the-ordinary neuroses and odd conditions brought about by stress.

Infection takes place in a dark, isolated hospital, where one doctors mistake has led to dire consequences for a patient. In a hospital death is just a breath away.

The members of a sci-fi club accidentally spill Coke on the remote controller of an air-conditioner during summer and suddenly a time machine appears in their sweating bath-like clubroom.

Kanae's husband disappeared without a trace while on a union trip. Though usually headstrong and independent, the woman becomes plagued with worry over what happened to him, and is unable to move on with her life. Thus, Kanae decides to hire a private investigator, and keeps running the public bathhouse to the best of her abilities. As he tries to figure out the truth about her husband, Kanae must deal with the stress from a work-intensive job, meddlesome neighbors, and recurring nightmares in which she is drowning.

How hard is it to kill an idiot? Just ask Kudo Kankuro! The acclaimed screenwriter brings his 2004 Kunio Kishida-winning stage play Donju (a.k.a. Dumb Animal) to the big screen in all its wacky tragicomedic glory. The one and only Asano Tadanobu sports a seriously nerdy bowl haircut to play the leading role of simple-minded novelist Dekogawa who has mysteriously disappeared. Dekogawa wrote an autobiography about his youth that reveals not only his past, but also some of his childhood friends’ best-forgotten secrets. In order to keep the skeletons in the closet, these buddies of yesteryear try to silence him permanently. But no matter how hard they try to kill Dekogawa, he just keeps coming back – because he’s simply too thickheaded to die!

A psychologically thrilling portrait of the severe dysfunction behind a family clinging to decorum and pride.

Set two years after the drama series "Nemesis," Naoki Kazama works for Nemesis Detective Agency and is regarded as a brilliant detective. He is able to solve the most difficult of cases, but he has a secret. He is actually a lousy detective and relies on the genius skills of his assistant Anna Mikami to solve cases. Their partnership continues.

Raised by assassins, Yuki is the last of the Takemikazuchi royal bloodline. A deadly weapon in her own right, she learns the gruesome truth about the death of her beloved mother and joins forces with a mysterious rebel leader.

