A young man from Kyushu,Adachi Futoshi had come to Tokyo to make a life. Adachi moved into a small room in a local boarding house, but he was unprepared for what life will throw at him. The room next to him boards a local gangster whose gang is a menace to the neighborhood, a bit further down lives a boy who dresses like a woman. And the old people managing the boarding house are quite peculiar too. Based on the manga by Leiji Matsumoto.

A sequel to Detective Bureau 2-3: Go To Hell Bastards!

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

1962 Japanese movie