Directing
Yim Ho is a Hong Kong director most active in the 1980s, and a leader of the Hong Kong New Wave. He began his career making television programs for RTHK, then became a film director in 1980. One of his most critically acclaimed works was Homecoming.
Lau may love to indulge in a bit of alcohol and womanizing, but he's also a serious writer who's respected by his colleagues in the cultural world. However, his work is getting less and less respect from his commercial-minded editor, who forces Lau to write action-filled wuxia serials and erotic stories. After an attempt at a tasteful, cultural magazine fails, Lau succumbs to the commercial reality and writes practically anything to survive. Haunted by his memories of World War II and his professional failures, Lau falls even deeper into his addiction of drink and woman…
Two independent stories involving chess wizards are interwoven to satirize the politics of the Chinese Cultural Revolution as well as Taiwan's capitalist boom of the 1970's.
Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences.
After moving to Hong Kong from China, a young martial artist starts a promising career as a stuntwoman. She begins to feel accepted in the business, but a passionate affair with a playboy ends up breaking her heart and unleashing her wild side.
Guan Jian wants to report the murder of his father who died 10 years ago. The alleged murderer whom Guan Jian accuses of the crime is his own mother.
With World War II looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.
Aggie is suffering a great pain after the death of her Grandmother. She has no one else so she moves in with her Godmother and her son, Louie. Aggie does not speak a single word, the pain she is going through is unimaginable, and this portrayal is simply stunning in its sadness and grief. Louie and Wah try to make her feel at home, and soon Aggie's passion for cooking shines through her sadness.
Set in Hong Kong in the 1980s, the film follows a fisherman’s son who rises to become a powerful tai pan.