In the year 2020, a group of wealthy Moscovites travel to an abandoned astrophysics complex, rumoured to have enough power to halt the process of aging.

The film is based on the life of Marina Tsvetaeva, one of the most tragic and greatest poets of the 20th century. The authors follow her in Russia, then in immigration in Prague and Paris, and then her return to Russia where she committed a suicide a few month after her arrival.

On a college trip to remote Northern forests, one of the students - Marina - encounters a burial site of an ancient witch, and is possessed by the spirits of the past. Now Marina and her companions must take part in the millennia old fight between good and evil, involving lake witches, sorcerers, and ancient forces from the myths.

The young country of Estonia is dancing to the jazzy tune of the 1920's when on December 1, 1924, the capital Tallinn is overrun by members of the Comintern in an attempt to stage a Communist coup. The film follows the fates of a young soldier called Tanel and his wife, a telephone operator named Anna, amidst the ensuing chaos which determines whether the country remains independent or becomes a minor province in the Communist Empire.

A story of a first love and a beautiful age of seventeen...

A writer in 1930s Moscow has his work banned and is expelled from the official union, leaving him without income. He then writes a novel about a mysterious dark visitor and gradually starts confusing his real life with the story.

In the courtyard of a convent run by Mother Ekaterina, a dozen people are trying to build a new life. Young novitiate Olga is a simple soul, honest and loving. When a troublemaker enters the community, Olga trusts him immediately, and things get complicated.

Plucked from an orphanage as a literal love slave, the now adult Natalija (a luminous Kseniya Kutepova) serves her ape-like husband by tending his prized cow—whose milk they sell to customers on passing trains. When hubby suddenly drops dead, however, Natalija’s narrow life of cows and rails finally starts opening up. Dumping his body at the local hospital, dropping by church to say a few prayers and trading in the cow for a pet goat, she slowly eliminates all trace of his former hold on her, searching out a new life in the freedom that emerges.

Based on the novel by Booker Prize Winner Ludmila Ulitskaya, The Funeral Party is set in August 1991. In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN?