
Directing
Yavuz Özkan was a Turkish film director, screenwriter, and producer who was active in the Turkish film industry from the 1970s to the 2000s. He is best known for his films that deal with social and political issues, and for his collaborations with some of the leading actors of Turkish cinema. Özkan began his career as an assistant director on several films in the early 1970s. He made his directorial debut in 1975 with the film "Anayurt Oteli" (The Hotel Anatolia), which was a critical and commercial success. The film won several awards at the Antalya Golden Orange Film Festival, including the award for Best Film. Özkan went on to direct a number of successful films, including "Nehir" (The River, 1977), "Yol" (The Road, 1982), and "Hakkari'de Bir Mevsim" (A Season in Hakkari, 1983). These films are known for their realistic portrayal of Turkish society and for their strong political messages. Özkan was also a prolific screenwriter. He wrote the screenplays for many of his own films, as well as for films directed by other directors. He was a member of the Writers' Union of Turkey and was awarded the union's Grand Prize for his screenplay for the film "Yol". Özkan was a leading figure in Turkish cinema for over three decades. His films were widely acclaimed by critics and audiences alike, and he won numerous awards for his work. He was a committed and passionate filmmaker who used his films to explore important social and political issues. In addition to his work in film, Özkan was also active in theater and television. He directed several plays and television series, and he was a member of the board of directors of the Istanbul State Theater. Özkan passed away in 2019 at the age of 76. He is survived by his wife and two children. His legacy lives on through his films, which continue to be screened and studied by film lovers around the world. IMDb mini bio by YusufPiskin

An introvert party goer in '60s makes it a habit of kidnapping meretricious female models to hidden spots out to wild nature to rape them, and of returning them to their homes nevermore.

The experiences of a young man who is in love with the daughter of a prostitute

A director's filmmaking process; friendships of the director, who has lost hope in life, with the tenants living in the same house.

A death row escapee unexpectedly saves a troubled young woman attempting suicide during a ferry crossing, and they find refuge together in a secluded house.
Based on a book by Nikos Athenassiadis titled A Naked Young Girl, this slight, uneven fantasy-romance takes place on an isolated Greek island with a unique, petrified tree -- a part of the reason why Mathieu, a geologist (Christophe Malavoy) has arrived to do some research there. Other than the boatman who ferries back and forth to the mainland, the island's only inhabitants are a fisherman and his very pretty daughter Eleni (Eleni Drogoumi). Eleni seems a bit different right from the beginning; on the one hand, she likes wandering around dressed only in a long shirt, and on the other, she has a penchant for swimming all night with the dolphins. When the usually arrogant geologist starts transferring some of his interest from rocks to Eleni's comings-and-goings, he wonders if there is not something fishy about her parentage.

The film tells the story of two old friends, Ahmet and Kemal, who work together to solve a murder. Ahmet, nicknamed "Baba," makes a living as an accountant. His son Ali, who works as a laborer at the same factory, is a union member. The factory manager pressures Ahmet to convince his son to leave the union. During a strike that breaks out at the factory, Ali is killed. Ahmet seeks help from Kemal, a businessman and his army buddy, to find his son's killer. Throughout this process, both Kemal and Ahmet begin to question their own lives.

12 year-old Gul becomes possessed by Satan after experimenting with a Ouija board. A troubled psychiatrist and an experienced exorcist become the girl’s only hope for salvation.

The film tells the story of a man who flees abroad and his relationship with a foreign woman. The man is in prison for a thought crime. The man's sole purpose in escaping from prison is to leave the country. With the help of a friend, he goes to France to stay with his brother. There, he meets a woman named Michelle, who is going through personal difficulties. Despite the language barrier, the two quickly fall in love. Meanwhile, the man applies for asylum in France. However, when his application is rejected, he leaves France and returns to Turkey. Michelle, who refuses to give up on her lover, decides to follow him to Turkey.



A prostitute lays a rape charge against a politician and an unexpected friendship develops between her and the politician's wife.

A prostitute lays a rape charge against a politician and an unexpected friendship develops between her and the politician's wife.

An elderly couple invite their adult children to visit their country chateau. Among the children are Omer, his undemonstrative wife who knows about Omer's mistress, and Omer's children. The other son brings his seductive lover, and the daughter, a divorcee, brings her child. Mayhem ensues when their daughter's ex-husband makes a surprise appearance at the house.

An elderly couple invite their adult children to visit their country chateau. Among the children are Omer, his undemonstrative wife who knows about Omer's mistress, and Omer's children. The other son brings his seductive lover, and the daughter, a divorcee, brings her child. Mayhem ensues when their daughter's ex-husband makes a surprise appearance at the house.

A director's filmmaking process; friendships of the director, who has lost hope in life, with the tenants living in the same house.

A director's filmmaking process; friendships of the director, who has lost hope in life, with the tenants living in the same house.

A director's filmmaking process; friendships of the director, who has lost hope in life, with the tenants living in the same house.
