Seijuro Fujihana, head master of the Fujihana dance school, is a proud and lonely artist. And because of his character, his group lacks the prosperity of others. He wishes his daughter Kasumi, gifted like himself, to take over and develop the Fujihana, but she wishes to marry Hiroshi, head of a jazz band which her father opposes. Kisaburo, Seijuro's No.1 disciple, wants to marry Kasumi and take over the Fujihana with the backing of the chairman of the supporters' association.

Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.

After killing the deceiver, the Masa gambler comes to Ina. There is a horse market in Ina, and the landowner Tamegoro, plans to steal the proceeds from the sale. Tamegoro steals money and blames the Masa for this crime. Masa has to go on the run, because now he is wanted for a crime that he did not commit...

A gripping historical drama that follows the explosive growth of Katsu Kaishu, the hero of the Meiji era, and the interesting human image of his father, Kokichi, who lived for the common people, his neighbors and his children. A film about paternal and maternal love and conjugal love in the creation of mankind, about the healing power of which laughter and tears have. The film that became the last work of the giant star Tsumasaburo Bando.

1962 Japanese movie

Ishimatsu is strong in fights, but weak in relationships with women and enjoys great popularity among them, and we see how an exciting historical drama about love, enmity and friendship is played out.

A painfully sad woman's heart cries from forbidden love. A love triangle drawn by three stars of Japanese cinema: Keiji Sada, Miyuki Kuwano and Keiko Awaji.

1959 Japanese movie

1958 Mito Kōmon film.

Follows six male friends from elementary school whose career paths diverge—newspaper reporter, engineer, boxer, sushi restaurant owner—but whose romantic lives intersect. (MoMA)