Yang Ik-june Movies, TV Shows, and Filmography
Yang Ik-june
Acting
Biography
Yang Ik-june (born October 19, 1975) is a South Korean actor and film director. He is best known for the 2009 film Breathless, which he wrote, directed, edited, and starred in.
Filmography Movies
Acting
Sunwoo and Ikjune
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Breathless
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Jjigae
Amy, adopted by an American family as a child, visits a jjigae restaurant in Jungnang-gu, Seoul. She introduces herself as a chef from the U.S. to Eunseon, the restaurant owner searching for staff after her mother passed away. Amy asks Eunseon to teach her how to make jjigae. Amy can not hide her complex feelings toward Eunseon's mother. Eunseon gradually grows suspicious about Amy.
The King of Pigs
Two friends, Jung Jong-suk and Hwang Kyung-min, meet after several years and talk about their time in school, which left them scarred.
Kashi bōto jū san-gō
Although greatly abbreviated and simplified, and in a back-and-forth sequence, almost all of the dialogue and narration is based on words extracted from the original story. The setting of the original film (1957), in which long-distance calls are connected to a switchboard so that the recipient knows where the call is coming from, has been eliminated, and the public telephones are digital telephones installed after 1996. Other alterations include the following.
Our Homeland
From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.
Maruyama, the Middle Schooler
Katsuya Maruyama is a middle school student boy full of obscene thoughts. He then meets Tatsuo Shimoi, a single father who moves into the same apartment complex. Tatsuo Shimoi is a bit of an enigma: he doesn't get along with the housewives in the apartment complex and doesn't appear to work. Through his encounter with the mysterious single father, Katsuya grows as a person.
Believer 2
A determined detective continues his search for the truth behind Asia's largest drug organization and its elusive boss he has unfinished business with.
The Fake
A convict returns to his home town to again torture his family, face his neighbors and try to destroy the local religious fanatics and their plans to keep money from the village people.
Re-LOVE
Production
Breathless
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Breathless
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Sunwoo and Ikjune
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Re-LOVE
Sunwoo and Ikjune
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Sunwoo and Ikjune
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Always Behind You
Jun-ho likes taking pictures, and so does Sung-hee... He is showing her how to take pictures. One day, Suk-ho who has taught him taking pictures asks a favor of filming a still, and Jun-ho promises to go there with Sung-hee. That day, Jun-ho, who arrives later than Sung-hee notices that Sung-hee and Suk-ho become intimate. Oddly he feels that somehow something goes the wrong way. Since then, Jun-ho hears a bad news from his friend, Hyung-gi that he has seen Suk-ho going out with Sung-hee. He makes hard work of it. On his birthday, it happens for him to reveal innermost feelings toward her in an unexpected situation.
A Time to Love
Moon, a middle aged woman who works at a mart while raising a high school daughter alone. Moon had come to Lake Sanjeong with her crush on a picnic last fall, but now she visits the area alone. Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?
A Time to Love
Moon, a middle aged woman who works at a mart while raising a high school daughter alone. Moon had come to Lake Sanjeong with her crush on a picnic last fall, but now she visits the area alone. Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?
Short Plays
Football seen through the eyes of some of the best directors of the world.
Gallery
