There are two of them: a mother and a girl. They have no names. And they are in a constant run. The mother runs away from the daughter in an attempt to start new life, and the girl runs after her mother as she has no idea how to live without her. This endless run is full with repeated mistakes and resembles a barrel-organ sorrowful song or a spinning-top rotation. This small ridiculous toy "volchok" was the first toy in the girl's life, the only thing that tied her with the mother.

A storry about a friendship between two very different women.

This is a collection of portraits: 23 short stories about the Mari women, a sort of Decameron suspended between magic and realism, in which the Autonomous Republic of the Marij El serves as a backdrop for the collective history of a people of ancient tradition. A journey into a mysterious and unknown part of the world.

Fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.

In Yekaterinburg over the Christmas period, shop assistant Lenka Shabadinova experiences a number of incredible events and unexpected meetings.

After the death of Anya's lover she has no reason to live. Suddenly she comes across a rooster who is a spitting image of her late lover. She decides to build a proper romantic relationship with this rooster in spite of that everything and everyone are against it.

A zombie apocalypse can happen tomorrow. But now there is a place where it is possible to escape.

The grand constant flow of life

Videotape is based on the poem by Paul Eluard.

Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.