Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.

The documentary Building Archeology (jiànzhú kǎo) (2011) considers the more recent past. It’s made up of three vignettes about different buildings in Beijing: a museum, an abandoned hospital, and a detention center. The latter two vignettes are especially interesting. In the second, a woman wanders around the ruins of a hospital built in a week to deal with the 2003 SARS outbreak. The third concerns a former prisoner, tracing out a map of the detention center where he was held in 2011.

An exploration of the Cultural Revolution that depicts both its chaotic later years – through the story of a squad of Red Army guards running amok in the countryside – and its continuing legacy in today’s China.

Beijing Changping Qiliqu Temporary Shelter is a shelter that was part of the network of temporary shelters used in China from the early 1950s to accommodate homeless people (the liumang 流氓). Changping Qiliqu shelter was used as a detention center in the 1990s, in particular, to incarcerate recalcitrant Yuanmingyuan artists, including Xu Ruotao. With its cold and soulless images, this video has a latent subversive tone, and a consistent vision of a hostile world.

Workers wrongfully dismissed wage battle against their employer, China Telecom. Incorporating artistic means of expression such as photography and theater, various artists wage extraordinary performances with the workers in the film, in solidarity with their struggles.