This is the story of Mei, a young woman on a trip from East to West after her escape from her provincial Chinese village. Beginning in Chongqing and a disastrous factory job, Mei soon heads out for London and a marriage to an older man where her entrapment begins anew.

This is the story of Mei, a young woman on a trip from East to West after her escape from her provincial Chinese village. Beginning in Chongqing and a disastrous factory job, Mei soon heads out for London and a marriage to an older man where her entrapment begins anew.

A dreamed trip between village and city, between reality and fiction in a chaotic China.

Kwok Yun is a simple woman who leads a peasant’s life in the peaceful mountains around remote Three-Headed Bird Village. One day, after a countryside tryst with a married man, she sees a UFO – a giant glowing thing in the shape of a dumpling! The ambitious village leader Chief Chang takes advantage of the sighting, stimulating tourism with UFO tours and getting the local economy roaring with progress. Busy aspiring to strengthen relations with the USA, she is blind to the dangers such radical change can bring.

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

Examine the tremendous moral and human cost of creating a 'New China' for the 2008 Olympics. As traditional communities are bulldozed to make way for modern high-rise apartments and ancient traditions are cast aside, just who is benefitting?

Two old Chinese communists visit run down England. The man who lost his voice scribbles his comments: "Water is so good in the West." "Flowers are long dead on Karl Marx's grave." His wife has no doubts : Back home is much better.

Film shows the present state of China through twelve platforms, an old farmer, a middle aged waitress, a car washer, a weapons dealer, fish store owners, a barber, a factory owner, a park ranger, a shopping mall employee, etc. These various faces of the so-called proletarian class ask, what is a dream? Answers to this question exist in the interview with each character, but is conveyed much more clearly through the black and white image of the children putting up their future as security as shots are heard continually behind them.