A hit man whose mission is to prevent the printing of a tell-all book written by a former Mafioso, falls in love with the employee who may lose her job if the book doesn't get published.

It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.

Peter grew up during the economic miracle, bereft of parental care and love. Learning early on that interpersonal relationships are based on the principles of exchange or purchase, he abides by these rules and gives generous presents to his family and his wife, Erika. But when he is unable to keep up this lifestyle, his story takes a horrendous turn...

Heidi is a happy, outgoing orphan who lives with her grandfather in the idyllic scenery of the Swiss Alps. Heidi makes friends quickly and people know they can always rely on her for help. She loves the freedom of life in the mountains, but she also learns how to take on responsibility. Her cheerful nature helps to show others how to handle the challenges of everyday life and still be happy. Heidi’s honesty and natural charm inspires both courage and a joy of life in everyone she meets.

A pilot crashes his plane in the desert, in the middle of the night. There is no one in the vast distance. Suddenly, a miraculous figure of a child emerges from the darkness - "The Little Prince". He asks the pilot to draw him a sheep. Now there are two of them in a vast desert with only one water source. They get closer and bond with each other.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

After Sumsemann the beetle loses one of his arms to a troll, he invites brother and sister Peterchen and Annaliese to join him on a journey to the moon in a quest to retrieve his lost arm.

A domestic house cat named Francis investigates the grisly feline murders taking place in his new neighborhood.

The story of two small-time crooks in the Frankfurt underworld who would like to make it big, but fail time and again.