Despite the fact that the film is a documentary, its lead character and his life story are fictitious, though very probable. It is one of the best examples of creative documentary film-making of Wojciech Wiszniewski.

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

One of his first and the most famous undergrad shorts, which seems to forshadow the director's death. A prize winner at a film festival in Oberhausen, it does not bear any great resemblance to Wiszniewski's later films.It attempts to illustrate the subjective states of a character through expressionistic photography, hardcore jazz and associative editing.

This 50-minutes long TV production, Wiszniewski's only feature film, is the story of a young worker, who is given a flat by his union commission on condition that he gets married.

This 50-minutes long TV production, Wiszniewski's only feature film, is the story of a young worker, who is given a flat by his union commission on condition that he gets married.

A reportage about a summer camp for art students, in which carefree youth in red ties break into song at solemn flag ceremonies and meetings. Commissioned by the Socialist Youth Association Board and a surprise for Wiszniewski fans, particularly those who are convicted about the director's aversion to contemporary political system, since it appears blantantly propagandist.

A staged cinematic parable, it presents in symbolic images a painful diagnosis of Poles' sense of identity in the 1970s.

A staged cinematic parable, it presents in symbolic images a painful diagnosis of Poles' sense of identity in the 1970s.

A movie quintessential to Wiszniewski's artistic output. Its protagonist, Bernard Budgol, is a miner and a legendary leader of socialist labour in the 40s and 50s. Structured around a dissonance and contradiction, the film is reminiscent of a broken mirror. Budgol's utterances do not for a cohesive whole, but come into conflict with one another. His wife, children and fellow miners tend to be critical of him while the protagonist himself feels compelled to defend his legend and the rightousness of his own conduct. (FILMAFFINITY)

A dilligent portrayal of the railway community depicts the mundanity of a pensioner's life set against lively scenes from his workplace, in the form of memories or dreams. (FILMAFFINITY)