On one very fine sunny day, a fourth-grader Thomas, as always, is out of the house in the morning to get to school by subway. But on this day he has a too good mood and that, along with the good weather, prevents him get to the lessons. He decides to skip his station, and take a walk through Berlin.

On one very fine sunny day, a fourth-grader Thomas, as always, is out of the house in the morning to get to school by subway. But on this day he has a too good mood and that, along with the good weather, prevents him get to the lessons. He decides to skip his station, and take a walk through Berlin.

Documentary film describes the motives of 3 West German families that led them to flee the Federal Republic of Germany or to move to the German Democratic Republic. To offer their children a secure future - that is the main motive for many West German parents to flee. The social security of citizens in the GDR and the willingness to welcome citizens from the Federal Republic are emphasized. The film is enlivened in its own way by the original soundtracks of the people interviewed, as well as the Cold War-style commentary. The final sentence is typical: "Since 1949 there has been a state of working people on German soil, here the lessons of the past have been learned, here is the peaceful, better Germany, the Germany that belongs to the children, to whom the future belongs".

The first two parts of the 19th film are about five former pupils. Two of them already made themselves known through the "CVs" of 1980: Ilona, the electronics worker and later youth functionary in Frankfurt (Oder), and Winfried, the graduate engineer for electronic device construction, who was then also commander of the combat group of his company, the Gröditz (Saxony) pulp mill, and now lives temporarily unemployed in Augsburg. In addition to Ilona and Winfried, who were politically active, the new film portrays Jürgen, Petra and Christian. Their cinematic lives are shorter, because the documentarians had long lost track of them. Now, over 50 years old, Jürgen, initially trained as a painter and upholsterer and now a transport and warehouse worker in Manschnow (Oderbruch), and Christian, an agricultural machinery fitter and now an in-house technician at the Kreditanstalt für Wiederaufbau in Berlin, were willing to be filmed once again.

A feuilletonistic conversation with the movie audience about the question: How do you feel about going to the movies? In general - and especially in summer? What do people expect from movies these days and what criticism do they have on their minds? The interviewees are vacationers of all ages and tastes. The occasion and background for this not entirely serious survey is the 1965 Summer Film Festival, which is captured in a cheerful reportage style. Interviews with actors on the festive opening evening and climax of the film confirm that there is only a relative cinema fatigue. It depends on the quality of the film on offer.

A feuilletonistic conversation with the movie audience about the question: How do you feel about going to the movies? In general - and especially in summer? What do people expect from movies these days and what criticism do they have on their minds? The interviewees are vacationers of all ages and tastes. The occasion and background for this not entirely serious survey is the 1965 Summer Film Festival, which is captured in a cheerful reportage style. Interviews with actors on the festive opening evening and climax of the film confirm that there is only a relative cinema fatigue. It depends on the quality of the film on offer.

Documentary film describes the motives of 3 West German families that led them to flee the Federal Republic of Germany or to move to the German Democratic Republic. To offer their children a secure future - that is the main motive for many West German parents to flee. The social security of citizens in the GDR and the willingness to welcome citizens from the Federal Republic are emphasized. The film is enlivened in its own way by the original soundtracks of the people interviewed, as well as the Cold War-style commentary. The final sentence is typical: "Since 1949 there has been a state of working people on German soil, here the lessons of the past have been learned, here is the peaceful, better Germany, the Germany that belongs to the children, to whom the future belongs".

A sequence of nine individual biographical sketches with a prologue and epilogue on Golzow and the long-term observation. Deepening of the preceding chronicle. The Golzow people in the present, from which retrospective views of the previous life and the life conflicts of the individual are given.

A sequence of nine individual biographical sketches with a prologue and epilogue on Golzow and the long-term observation. Deepening of the preceding chronicle. The Golzow people in the present, from which retrospective views of the previous life and the life conflicts of the individual are given.

The age group in a group portrait of the fifth grade. They make suggestions for filming at school, in their free time and at home. Growing challenges through the lessons that bring knowledge and new questions and broaden their horizons.