
Acting
William Marshall was an American actor, director, and opera singer. He is best known for his title role in Blacula and its sequel Scream Blacula Scream as well as his role on Pee-wee's Playhouse. Marshall made his Broadway debut in 1944 in Carmen Jones. In 1950, he understudied Boris Karloff as Captain Hook in the Broadway production of Peter Pan. He played the leading role of De Lawd in the 1951 revival of The Green Pastures, a role he repeated in 1958 in a BBC telecast of the play. He performed in several Shakespearean plays on the stage in the U. S. and Europe, including the title role in at least six productions of Othello. Harold Hobson of the London Sunday Times praised Marshall’s portrayal as "the best Othello of our time." In 1968, Marshall joined the Center Theatre Group at the Ahmanson Theatre in Los Angeles to play Othello in a jazz musical version, Catch My Soul, with Jerry Lee Lewis as Iago. Marshall portrayed Paul Robeson and Frederick Douglass on stage. He researched Douglass' life extensively, and in 1983 produced and played the lead role in Frederick Douglass: Slave and Statesman. Marshall's career on screen began in the 1952 film Lydia Bailey as a Haitian leader. He followed that with a prominent role as Glycon, comrade and fellow gladiator to Victor Mature in the 1954 film Demetrius and the Gladiators. His demeanor, voice and stature gave him a wide range, though he was ill-suited for the subservient roles that many black actors of his generation were most frequently offered. He was a leader of the Mau-Mau uprising in Something of Value, and Attorney General Edward Brooke in The Boston Strangler. He probably received the most notice for his role in the vampire film Blacula and its sequel Scream Blacula Scream. In later years, Marshall played the King of Cartoons on Pee-wee's Playhouse. Despite blacklisting because of his supposed communist connections, Marshall managed to continue appearing in both television and films. He appeared on the British spy series Danger Man in episodes titled "Deadline" and "The Galloping Major". He also won two local Emmys for producing and performing in a PBS production, As Adam Early in the Morning, a theatre piece originally performed on stage. He also was featured in an episode of The Alfred Hitchcock Hour titled, "The Jar", with actors Pat Buttram and George Lindsey. In addition to acting and producing, Marshall taught acting at various universities including the University of California, Irvine, and the Mufandi Institute, an African-American arts and music institution in the Watts section of Los Angeles. He did similar work at Chicago's ETA Creative Arts Foundation, which in 1992 named Marshall one of its Epic Men of the 20th century. Marshall died June 11, 2003, from complications arising from Alzheimer's disease and diabetes. Marshall was considered by many to be a much underrated actor and one who never got his due. Some have remarked that Marshall should have had a much more successful and larger screen career, even saying that Marshall would have been a perfect choice for the role of Thulsa Doom in Conan the Barbarian.

Haunted by recurring dreams of Hea-Thor, a gorgeous cavegirl,and a menacing Allosaurus, action-movie star Tony Markham soon finds himself transported, by means of a magic Icon, back through time to Dinosaur Valley. Now trapped in world of dangerous dinosaurs, grunting cavemen and a tribe of exotic, love-starved cavegirls, Tony must put his modern-days skills to extreme tests in order to survive prehistoric perils, win the cavegirl of his dreams and (maybe) return to his own time?

An 18th century African prince is turned into a vampire while visiting Transylvania. Two centuries later, he rises from his coffin attacking various residents of Los Angeles and meets Tina, a woman who he believes is the reincarnation of his deceased wife.

Written, directed, and produced by David Walker, MACKED, HAMMERED, SLAUGHTERED, & SHAFTED is an insightful examination of the blaxploitation film movement of the 1970s. Featuring interviews with key actors and filmmakers, the documentary explores the origins of blaxploitation, and the controversial history of Hollywood's most misunderstood genre.

The men from U.N.C.L.E. must stop the assassination of an African head of state with the help of a simple housewife.

Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

Two friends, who both work for the same high-priced, high-powered law firm, are both married to modern day witches. Erica, the wife of Larry, believes that he is being led astray by Carol, an old flame, who also works for the same law firm. Erica decides to act and one night after a torrid sex session Larry drifts off to sleep and begins to dream. Soon the dream turns into a nightmare of sex, violence, murder and death involving himself, his friends and colleagues from the law firm which appears to be frighteningly realistic...

After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.
In this made-for-TV production, Vincent Price and his hunchback sidekick (Billy Van) host a pun-filled salute to the horror film genre from its earliest beginnings all the way up to The Exorcist. Featuring clips from classic horror films and interviews with genre greats like Frank Gorshin, John Carradine, John Astin and SFX legend Bill Tuttle, among others.

As Kenya's Mau Mau uprising tears the country apart, former childhood friends Kimani (Sidney Poitier), a native, and Peter (Rock Hudson), a British colonist, find themselves on opposite sides of the struggle in this provocative drama. Though each is devoted to his cause, both wish for a more moderate path -- but their hopes for a peaceful resolution are thwarted by rage, colonial arrogance and escalating violence on both sides.
