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Blank's TV documentary on Straub-Huillet.
Jean-Marie Straub reacts to an audience during a Straub-Huillet retrospective.
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
A wonderful documentary that sheds additional light on the fascinating project ‘Inferno’ was, as well as how those who were involved with it reacted to it during the shooting process. A riveting adjunct to the main feature, offering a glut of interviews with various people associated with the production, and presenting quite a bit more production data, as well as some unseen footage from Clouzot's shoot.
Amanda Weber is a museum employee. Her nephew, Victorien, who feels that wild animals should not be kept in zoos, while hitchhiking saw a mysterious bus with 50 dead tourists that later was found by autorities at the bottom of a lake. When Victorien gets in very serious problems due to what he saw Amanda seeks to find out what happened and soon also becomes a target.
French cybernetics genius Victor Frankenstein carries on the work of his notorious ancestor and creates a monster, albeit one with a penchant for philosophy, etiquette and occasional bouts of murderous rage. But when the creature develops a hunger for l'amour, Frankenstein and his understanding fiancé use a cache of freshly murdered strippers to build the creature a beautiful yet dutiful bride. Can the undead find true love in a cold world, or will the French ways of passion unleash some monstrous surprises upon them all?
The time is the 1930s and two Soviet spies (both Frenchmen by nationality) have been helping Communist factions during the Civil War in Spain. It is the time of Stalin's iron rule in the USSR, and the two agents are suddenly called to Moscow by the KGB. Knowing that they are in trouble for no fault of their own, fear drives one of them to suicide while the other gets his lover and her child and begins a run for his life, knowing that the KGB will never let him go free.
Nicholas is the eldest son of a wealthy suburban family, whose businesswoman mother makes deals from a helicopter and has an affair with her business partner. His cheerful, alcoholic father, on the other hand, is reduced to a prisoner in his room with his devoted dog and electric train set. Unbeknownst to his parents, Nicholas works as a window cleaner and dish washer in a Parisian cafe. He is also in love with the daughter of another cafe's owner, who, however, has an abusive boyfriend. One night, Nicholas sneaks a few drunken drifters into his family wine cellar and his father unexpectedly takes a liking to the stranger.
When a woman is accused of murder, the investigation slowly reveals numerous political connections. Laubret, the court-appointed defense lawyer, does everything in his power to expose the truth.
A famous, ruthless writer takes a handsome young worker, with aspirations of becoming a tightrope artist, as his lover and protege, but suffers tragic consequences when he later discards him for another youth.
Two ex-lovers wind up living next door to each other with their respective spouses. Forbidden passions ensue.
The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.
Pierre is the artistic director of a theater, and when his daughter Manon lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined...
More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view