A taped version of the stage play about a hideously deformed 19th-century London man and how he managed to triumph over his disease.

An ambitious Judge and an exacting Colonel re-open the sixty-year-old case of Pierre Brossard, an escaped Nazi collaborator accused of murdering seven Jews. Now an old man living a sheltered life within the Catholic Church, Brossard is also being trailed by mysterious hit men, determined to kill him before he's arrested.

When a law-abiding demolition expert is duped by a gang of criminals into helping them he is caught and jailed. When he is released he goes straight and then notices a leading citizen in his town is cheating his neighbours.

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.

Just after a young unknown American becomes the first on the Moon returns, he dies in an accident. He's laid to rest with full honours, but only the president and a few high officials know just what sort of a man their hero was.

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

A moderately successful fashion model meets a wealthy entrepreneur who's determined to make her a superstar by controlling every aspect of her personal and professional life, but she's strong-minded and resistant to his methods.

Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus.

Hallmark Hall of Fame's second version of Shakespeare's classic play, with the same two stars and the same director as its first version, but a different supporting cast.