2010 documentary on William Friedkin's 1973 horror classic, featuring the never before seen on set footage of cinematographer Owen Roizman.

On the 35th anniversary of the release of the landmark film "The Godfather," (March 15, 1972) we look back at the time and place of the film's conception and shooting.

What happens when famous directors stage an opera? Eckhart Schmidt shows successful and failed attempts.

Documentary about the great 1940s horror movie producer Val Lewton, featured on the 2005 DVD release "The Val Lewton Horror Collection."

The cry of gulls. The ticking of a clock. The clatter of a shower curtain, torn from its rod. In this workshop-like documentary, Academy Award-winning sound designers invite you to join them at their mix boards to investigate how Alfred Hitchcock employed sound design to tell his cinematic stories, whether making audience members leap from their seats in fright or crawl under them from excruciating suspense.

Alfred Hitchcock often referred to his style of film making as "pure cinema" — using camera movement, editing, music and sound to tell stories that would be impossible in any other medium. This in-depth documentary allows directors such as William Friedkin, Martin Scorsese and Guillermo del Toro to examine the power and mastery of Hitchcock's cinematic style.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

William Friedkin on The Manchurian Candidate

Miller's Tale is a personal journey into the life of playwright and actor Jason Miller and his relationship with his hometown, Scranton, Pennsylvania. Best known for his performance as Father Karras in The Exorcist, Miller experienced a brief but brilliant period of national acclaim, then curiously abandoned Hollywood to return to his hometown. After Miller died in a local bar Scranton, at the age of 62, filmmaker and fellow Scranton native Rebecca Marshall Ferris set out with her camera to find out why did this exceptional playwright, who achieved such phenomenal early success, never write a Broadway play again? And what happened to Miller in Hollywood that would make him run away from a promising acting career?

A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).