
Directing
From Wikipedia, the free encyclopedia William A. Seiter (June 10, 1890 - July 26, 1964) was an American film director. He was born in New York City. After attending Hudson River Military Academy, Seiter broke into films in 1915 as a bit player at Mack Sennett's Keystone Studios, doubling a cowboy. He graduated to director in 1918. At Universal Studios in the mid-1920s, Seiter was principal director of the popular Reginald Denny vehicles, most of which co-starred Seiter's then wife Laura La Plante (his second wife was actress Marian Nixon). This period also included The Beautiful and Damned and The Family Secret. In the early talkie era, Seiter helped nurture the talents of RKO's comedy duo Wheeler & Woolsey in such rollicking features as Caught Plastered (1931) and Diplomaniacs (1933). He also directed the Laurel and Hardy feature Sons of the Desert (1933), their only film together. Other films include Sunny, Going Wild, Kiss Me Again, Hot Saturday, Way Back Home, Girl Crazy, Rafter Romance, Roberta, Room Service, Susannah of the Mounties, Allegheny Uprising, You Were Never Lovelier, Up in Central Park, and One Touch of Venus. Among the many stars directed by Seiter during his long career were Shirley Temple, Fred Astaire, Ginger Rogers, Henry Fonda, Margaret Sullavan, Jack Haley, Deanna Durbin, Jean Arthur, John Wayne, Fred MacMurray, Lucille Ball, Rita Hayworth and the Marx Brothers. While many of his films were minor gems, Seiter was capable of turning out bad movies once in a while. For example, if he ran into friction from his star—as was the case with Lou Costello in 1946's Little Giant -- Seiter would get even by adhering religiously to the script, refusing to add any nuance or creativity to the project (this pettiness may have been the reason that one prominent actress of the 1930s referred to Seiter as the most unimaginative director she'd ever worked with). On his final four films, before he retired in 1954, Seiter functioned as both producer and director. These films included The Lady Wants Mink (1953), a gentle satire of the then topical "raise your own coat" craze. He died in Beverly Hills, California, of a heart attack, aged 74.

Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh fashion house run by her assistant, Stephanie. There they meet the singer Scharwenka (alias Huck's old friend Lizzie), who gets the band a job. Meanwhile, Madame Roberta passes away and leaves the business to John and he goes into partnership with Stephanie.

Dimples Appleby lives with her pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit.

Jane is a nice girl and has had her eyes on a young man who seems more interested in his hand-built car than in Jane. She decides to shed her "nice girl" image when an associate of her father comes to town on his way to study Australian Aboriginal tribes.

Jane Coleridge and Peter Jamison are a pair of small town sweethearts. She's an old-fashioned girl and he's timid, but he manages to get up the nerve to propose and asks her to run away with him. Unfortunately, around the time Jane's supposed to meet him at the station her father dies and she has to take care of her brothers and sisters. Jamison believes she loves someone else and disappears for several years. When he finally returns, he has a three-year-old child in tow. But he explains that his wife has been unfaithful and he and Jane renew their romance. Then wife shows up and causes trouble by claiming that Jamison left her for Jane.

Chin-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ship, marries Randall to give Chin-Ching a family.

Ollie and Stan deceive their wives into thinking they are taking a medically necessary cruise when they are really going to a lodge convention.

Left by a con man, Belle De Valle, a dancer, finds him again in gold-rush Alaska running an honest casino/dance hall.

Left by a con man, Belle De Valle, a dancer, finds him again in gold-rush Alaska running an honest casino/dance hall.

Broke Gordon Miller tries to land a backer for his new play while he has to deal with with the hotel manager trying to evict him and his cast.

A window dresser's kiss brings a statue of the Roman goddess of love to life.

