Only You is a 1930 musical by Hermann Feiner and Willi Wolff starring Fritz Schulz and Walter Janssen.

Here Richter plays an Armenian princess whose father is being held prisoner by a despotic and corrupt pasha. A confrontation at the New Year’s Eve Ball at the Paris Opera leads to the princess being wrongly suspected of attempted assassination against the pasha. With the help of an English diplomat, she manages to flee Paris, but the pasha and his henchmen are hot on her heels. This marks the start of an extended, action-driven cat-and-mouse game that stretches to the outer regions of the Bosporus – and back again.

In a circus, visitor who has just fallen for the “gypsy” dancer Militza is stabbed by a jealous clown, Bajazzo. Militza escapes to the country village of Marienhagen, finding shelter in the house of a local Catholic priest. The priest also falls for Militza. When he is subsequently struck dead by a bolt of lightning one evening during Mass, his mother blames Militza and has her cast out of the village. Militza joins a theatrical troupe whose married leader is disappointed with the general lack of artistic talent and begs Militza to leave with him. Militza refuses, and instead flees on her own. Onboard a ship, she is surprised to encounter the leader of the troupe again. The ship sinks, he dies. She is rescued by a nobleman who takes her to his country estate. Here she finds peace and true love. When the dead priest’s vengeful mother learns that Militza is alive, she kindles fear and superstition among the villagers, who stone Militza to death.

When a travelling troupe threatens to unleash a saucy Berlin revue on the provincial town of Emilsburg, the local Morality Society, a band of sanctimonious middle-aged men, stages a protest. Meanwhile, the reigning monarch is concerned that his son and heir is not living his life to the full. Ninon d’Hauteville, a showgirl and the revue’s star attraction, takes a job as piano teacher to the young prince after her engagement at the local theatre was brought to a premature end, a result of the Morality Society’s interference. It doesn’t take long for those hypocrites to get wind of this. While on the outside they appear to be concerned with running the immoral woman out of their town, behind closed doors they rank among the new piano teacher’s most ardent pupils. However, Ninon, out to right the wrong done against her, secretly keeps a “diary” of their visits, recording each encounter on film with a hidden camera.

Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.

Paulus van Geldern is a lawyer who has made a name for himself as a criminal defense attorney, but is notoriously short of funds due to his unbridled passion for gambling. His gambling causes problems with his marriage to Martha who is thriving.

A Hapsburg archduke in the 1880s gives up his title, changes his name, marries a Viennese actress, and then disappears with her on a South American ocean voyage.

A spectacular action-adventure travelogue with stages in Genoa, Suez, Colombo, Singapore, Canton, Yokohama, Honolulu, San Francisco, New York and Brest.