A fantasy biography of Franz Kafka, bringing to life the writer's diaries and photographs.

An animated short film from 1987 that deals with the incarceration of a man in a dark cell from where there is no escape.

The film is a praise of human willingness to take on the endless challenges of fate. The loaf of bread a prisoner receives each day is used to patch thousands of holes in the cell walls. They are inhabited by nerve-wracking busy insects that flit constantly from hole to hole. When the work is finished, the prisoner is unexpectedly transferred to another cell. The new loaf of bread held in his hands freezes dramatically halfway to his mouth: the walls of this cell are also strewn with thousands of holes.

An eclectic mix of students wake up on a cold bus, knowing only they are about to start an internship at a remote hotel. They understood it would be difficult, but little did they know just how hard it would be.

A film miniature set to music by Robert Schumann. Various faces of women taken from paintings by Leonardo da Vinci, Raphael, Botticelli, Titian, and Ingres show women as muses, ladies, heroines, and lovers. The clash of perspectives on women by artists from different eras and the depiction of women in many incarnations constitute a cinematic attempt to define the essence of femininity—an eternal theme explored by painters of all ages. The film culminates in Mona Lisa's mysterious smile, which is the director's commentary on the constant attempts to capture the ephemeral, the indefinable, and the elusive.

A film miniature set to music by Robert Schumann. Various faces of women taken from paintings by Leonardo da Vinci, Raphael, Botticelli, Titian, and Ingres show women as muses, ladies, heroines, and lovers. The clash of perspectives on women by artists from different eras and the depiction of women in many incarnations constitute a cinematic attempt to define the essence of femininity—an eternal theme explored by painters of all ages. The film culminates in Mona Lisa's mysterious smile, which is the director's commentary on the constant attempts to capture the ephemeral, the indefinable, and the elusive.

Classical animation made with painting technique on celluloid from a series of animated films to classical music.

In the kingdom of Lailonia lives the merchant Pigu along with his daughter Memi. Pigu toils to sell pheasant-eating fork protectors to the people of Babylonia, and brings combs for combing camels, which the people of Lailonia immediately snatch up by paying salty prices for them. The merchant Pigu is prosperous. and since a favorite pastime in his country is pecking at globes, Pigu brings his daughter Memi a new globe from each trip.

From a series of animated films set to classical music. Classical animation created using painting techniques on paper and celluloid. A montage of four parts from 1991–1995.