Through his work at a morgue, an incarcerated young man trying to build a new life starts to come to terms with the crime he committed.

Ulrich believes that affairs can't harm a truly good marriage. That's why he's set his sights on the attractive Jutta. Jutta believes that his life so far can't be all there is to it. That's why she's set her sights on Ulrich. Sigi believes that his marriage to Jutta could be in jeopardy because of this. Therese believes Ulrich is intelligent enough not to completely succumb to his sexual urges. But she's wrong.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

A Dublin student writes a novel about a tavern keeper about the parishioners in his tavern (including the student), who in turn write novels featuring the innkeeper and the student, and other novel composers about other novelists.

Youth between child- and adulthood, endangered, strained, very easily hurt and sharp in their insecurity. How should one live?

In order to dissolve the deceased grandfather's household, Philipp and his father set off for their place of origin, Eisenerz. What Philipp initially wants to get over quickly turns out to be a journey into a past that lives on.

An all-girl Catholic boarding school near Vienna for the wealthy Austrian elite and their children. The school is thriving, but faith is declining and the upper floors are de­ser­ted. The head of the institution, a young energetic nun, fights with ardor against this decline. Martha, 12, one of the nun’s favorite pupils, is a devoted girl who wishes to expiate the sins of the world. Encouraged by the nun, she is given a penance belt and taken to the abandoned upper floor.

The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction. Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.