
Acting
Welket Bungué (Guiné-Bissau, 7 February 1988) is a Portuguese-Guinean actor and director.

Jaiane now lives in Brazil, while Aissa, a Mozambican sailor who has just arrived in the city, tries to have a real experience on dry land. A story of unconventional passion follows.

An immigrant mother, hurting from a backache, calls for her son to help carry her groceries home. Along their way, they talk about the future through the past, returning to all of their disagreements, disillusionments, rancor and resentments.

Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

With his partner, a celebrity performance artist publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use the artist's notoriety to shed light on the next phase of human evolution.

João, a Portuguese performing arts student, is finishing his schooling season in Rio de Janeiro. It’s his last week this side of the ocean and he rediscovers the city he’s been living in for the previous 10 months.

Juan (Arthus Focchi) and Djari (Welket Bungué) are foreigners who met in Rio de Janeiro and became best friends. Juan has a bad feeling, something is wrong, the wind whispers. In a conversation with Djari, Juan warns him that he will leave. Something sudden happens before he travels. Djari will have to deal with this.

A female truck driver is on her way to Spain when she encounters a refugee hiding in her truck, trying to go to England in order to earn money for his family. Aller/Retour is above all a road story about friendship, difficulties in life and the sacrifices we make for our families.

Two Angola, the colonial and the contemporary, spaced 60 years, share the curse of a mysterious island. In the past, the epicenter of the tragedy is an evil fortress, tomb of revolutionaries deported from the mainland. In the present, the building of a luxurious resort awakens the relentless jaw of justice. Soon after, workmen lacerated dead bodies, begin to appear. The horror spreads rapidly. Pedro Mbala is sent to the island to solve the problem. His target is a pack of stray dogs.

Two artists go out to train, they don't fit the standards of their neighborhood, their city, or their imposing culture.

Two artists go out to train, they don't fit the standards of their neighborhood, their city, or their imposing culture.

Two artists go out to train, they don't fit the standards of their neighborhood, their city, or their imposing culture.

It's essential to generate life, dialogue, understanding, and to celebrate humanity. In times of widespread pandemic, raising questions about the preservation of democracy, the integrity of public health, and our own notions of individuality, we are dragged into a process of change. Mudança is an encounter between the artist Welket Bungué and the Portuguese parliamentary politician Joacine Katar Moreira. Here they question the essence of their crafts, making an unexpected paradigm of imminent revolution resound.

It's essential to generate life, dialogue, understanding, and to celebrate humanity. In times of widespread pandemic, raising questions about the preservation of democracy, the integrity of public health, and our own notions of individuality, we are dragged into a process of change. Mudança is an encounter between the artist Welket Bungué and the Portuguese parliamentary politician Joacine Katar Moreira. Here they question the essence of their crafts, making an unexpected paradigm of imminent revolution resound.

BUÔN is an exposition of thought, desire to travel and see a world beyond the walls of a city terminating the social , mental, physical, psychological , political and individually on their projects , nooks and architectures.

BUÔN is an exposition of thought, desire to travel and see a world beyond the walls of a city terminating the social , mental, physical, psychological , political and individually on their projects , nooks and architectures.

Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.

Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.

Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.






